I can't imagine anyone who liked the show not enjoying this movie, even though the first half is stronger than the second. All in all…
A native of Chicago, Sam lives and works in San Francisco as a journalist and student at San Francisco State University. He's the founder of Movie Mezzanine, residential film critic for SF Bay and member of the OFCS. He also happens to be (consistently) illogically idealistic about everything (save for politics).
Veronica Mars gets technology right; The five things that separate The Grand Budapest Hotel from the rest of Anderson's films; The five things you need to know about technology and media; An interview with Walter Murch; Reviewing last night's Scandal episode.
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don't need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
The death of modern malls; Matthew Weiner talks Mad Men; Spike Lee is coming to Ebertfest; Nicolas Cage on film critics and being famous; Daze and Confused and growing up.
An interview with J.P. Donleavy; The art of watching and writing about documentaries; More details about Ebertfest released; Kurtwood Smith on his acting career; A defense of 300: Rise of an Empire.
"True Detective" finale; coverage of the True/False film festival; the case against Wes Anderson; a case for Wes Anderson; inside the mind of a psychopath
Why DiCaprio doesn't get lucky at the Oscars; Atheism in Hollywood; Famous rejection letters; Wes Anderson as an advertiser; Auteur theory and Kent Jones.
Eric Kohn attends the Oscars; The economical realities of being an actor in Hollywood; Product placement at the Oscars; A woman confronts her critics; Remembering the Laser Age.
Kim Novak and aging; Michelangelo Antoniono's Blow-Up; A comical story about Church organists; In defense of jaywalking; An argument to bury the 'In Memoriam' segment.
Lost, Oscar-nominated films; Lupita Nyong'o and beyond; Evaluating Ellen DeGeneres as the Oscar host; Oscars snubs and surprises; A recap of the Oscars from The New York Times.
Generation X has midlife crisis; Oscar predicability; Popular Twitter accounts making money; Casting directors getting praised for their work; Charlie Chaplin's monologue.