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Boyhood

Richard Linklater's drama about a young boy growing into manhood is also a film about the fleeting nature of existence.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Roger Ebert

Roger Ebert

Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Boulevard Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder. Since 1989 he has hosted Ebertfest, a film festival at the Virginia Theater in Champaign-Urbana. From 1975 until 2006 he, Gene Siskel and Richard Roeper co-hosted a weekly movie review program on national TV. He was Lecturer on Film for the University of Chicago extension program from 1970 until 2006, and recorded shot-by-shot commentaries for the DVDs of "Citizen Kane," "Casablanca," "Floating Weeds" and "Dark City," and has written over 20 books.

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Casino Royale

(1967)

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Africa Addio

(1967)

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Good Times

(1967)

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Hombre

(1967)

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Guns of the Trees

(1967)

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The Game Is Over

(1967)

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Clouds Over Israel

(1967)

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In Like Flint

(1967)

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Galia

(1967)

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Le Petit Soldat

(1960)

Dim future for interactive film

"Interactive" is the kind of word I like to interact with by hitting the "delete" key on my computer. I'm asked at least twice a week about the future of "interactive movies," and I am sorry to disappoint, but the answer is: Interactive movies have no future. They're already over with, except as a buzzword often found in the same sentence with terms like "infobahn" and "information revolution."

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Class of '94 gets their due at Cannes

CANNES, France -- Every year they come here to the Riviera, the new class of young American filmmakers, hoping for lightning to strike. Ever since Dennis Hopper's "Easy Rider" arrived at Cannes in 1967 as a motorcycle film and returned to the United States as an art film, Cannes has provided a sort of festival within a festival, of first and early films by young Yankee hopefuls.

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Movie Answer Man (06/01/1994)

Q. I felt compelled to write after reading your glowing praise for the movie "Speed." I am all for checking my brain at the box office, but there is a limit to how much unbelievability I can accept. 1) No bus can make such turns at high speeds. 2) Does LAX have the longest runways in the history of airports? They must, because the bus never had to make a turn while Keanu Reeves was trailing underneath by a thin wire. 3) Why could Keanu accelerate the train, but not decelerate it? Doesn't every car on a subway have emergency brakes? 4) If the bomb were attached to the front wheels of the bus, wouldn't it have exploded as the bus was flying through the air? After all, the front wheels only move when the back wheels are propelling the bus. 5) No bus, and I mean no bus, could make that jump! (Peter Kahl)

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Jennifer Jason Leigh meets 'Mrs. Parker'

CANNES, France -- The table has long since been cleared for the last time, and the wits who surrounded it rest in their graves, but the idea of the Algonquin Round Table lives on. For a decade, from the 1920s through the 1930s, the brightest and the funniest writers in New York gathered every day for lunch around a huge round table at the Algonquin Hotel, and then they went back to their typewriters and made each other famous by quoting what they said there.

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The lost art of talking is splendidly revisited

CANNES, France -- The table has long since been cleared for the last time, and the wits who surrounded it rest in their graves, but the idea of the Algonquin Round Table lives on. For a decade, from the 1920s through the 1930s, the brightest and the funniest writers in New York gathered every day for lunch around a huge round table at the Algonquin Hotel, and then they went back to their typewriters and made each other famous by quoting what they said there.

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Hope Springs From 'Sirens'

Filmgoers should be cheered by the news that an Australian film named "Sirens" is doing strong business at the nation's box offices. It is loosely inspired by the life and times of a colorful painter named Norman Lindsay, who shocked his country in the 1930s with an unconventional lifestyle that included large numbers of beautiful women who were his models, muses and, occasionally, lovers.

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Triumph For 'Schindler'

LOS ANGELES -- Everyone expected Steven Spielberg and his great film, "Schindler's List," to dominate the 66th annual Academy Awards here Monday night, and they did - with seven Oscars, including best picture and director. But there was no sense of anticlimax; it was one of the most thrilling nights in Oscar history. As academy members rose for two standing ovations, they were obviously moved by Spielberg's triumph.

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On movies and ratings

One of the first things I remember learning about the movies was that they were a Possible Occasion of Sin. That was in Catholic grade school, where we were advised to avoid such Occasions by carefully observing the Legion of Decency ratings printed every week in Our Sunday Visitor.

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Grant takes place in the sun

America will be having a Hugh Grant festival this spring. The boyish British actor with the apologetic shrug is the star of three films being released almost simultaneously: "Sirens," "Four Weddings And A Funeral" and "Bitter Moon." All three are well-suited to his strengths as a likeable, diffident, chap who backs into situations apologetically, but usually prevails.

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