In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_office_christmas_party

Office Christmas Party

Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives

Contributors

Roger Ebert

Roger Ebert

Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Boulevard Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder. Since 1989 he has hosted Ebertfest, a film festival at the Virginia Theater in Champaign-Urbana. From 1975 until 2006 he, Gene Siskel and Richard Roeper co-hosted a weekly movie review program on national TV. He was Lecturer on Film for the University of Chicago extension program from 1970 until 2006, and recorded shot-by-shot commentaries for the DVDs of "Citizen Kane," "Casablanca," "Floating Weeds" and "Dark City," and has written over 20 books.

Reviews Filter Show Filters | Reset Filters

1914
2016
0
4.0
Widget_pk36zijvijqyyubpwumus41mzxr
Africa Addio

(1967)

Widget_goodtimesposter
Good Times

(1967)

Widget_imzpjwxnzary8bgfqia6bu5pgwb
Hombre

(1967)

Widget_zyx82ukevfp5gorn0lt06cxag0x
Guns of the Trees

(1967)

Widget_troo0xnnhw3rky8simdxwd8taez
The Game Is Over

(1967)

Missing-poster-widget
Clouds Over Israel

(1967)

Widget_q9ewjpp2hbcx5nnwu6q75xflphe
In Like Flint

(1967)

Widget_y7l9rwoqor7inlzqf2xlkv5yx1a
Galia

(1967)

Widget_ifcjvn8fg16glhvxrpv6bp5s4m3
Le Petit Soldat

(1960)

Lost on 'Mulholland Drive'

BOULDER, Colo.--We have finally met defeat. A film has resisted our efforts to pound it into submission, Every year I join some 1000 students and townspeople here at the University of Colorado on a 5-day, 12-hour shot-by-shot trek through a film. Using the freeze-frame and slow-motion features of a DVD, we track down symbols, expose hidden messages, analyze visual strategies, expose special effects, and in general satisfy ourselves that we have extracted every fugitive scrap of meaning from the movie under discussion.

Continue reading →

Movie Answer Man (04/07/2002)

Q. In "Panic Room," viewers are treated to another of those Hollywood creative moments: Jodie Foster on the toilet peeing. The camera pans tactfully away, leaving us with just the tinkle. My question: Did they use a bladder double? (Neil Ferguson, Tempe AZ)

Continue reading →

'2001' an odyssey not to be missed

From time to time I'll meet someone who was underwhelmed by "2001: A Space Odyssey." Because I consider it one of the great moviegoing experiences of my life, I ask them how they saw it. They invariably saw it on home video. Just as there are movies--"Moulin Rouge" seems to be one--that benefit from return visits via DVD, so there are a few movies that should not be seen that way--not the first time, anyway.

Continue reading →

Familiar names top Indie awards

SANTA MONICA, Calif.--But first for something completely different. The 2002 Independent Spirit Awards, or Oscars Unchained, were handed out here Saturday under a big top on the beach. Oscar nominees like Nicole Kidman, Ian McKellen and Sissy Spacek rubbed shoulders with indie legends like John Waters, Kasi Lemmons and Steve Buscemi, in a hip party atmosphere.

Continue reading →

The shifting sands

I approach this annual task with a sense of foreboding. The 2002 Oscar race rests on shifting sands. There are scarcely even any absolute front-runners, unless it is Jennifer Connolly as best supporting actress. I am sure of one category, then another. Then I change my mind.

Continue reading →