Pride and Prejudice and Zombies
The small, deadpan moments in "Pride and Prejudice and Zombies" have more of an impact than the massive, noisy set pieces.
ReBecca Theodore-Vachon is the Film/TV Editor at TheUrbanDaily.com. She also runs her own blog FilmFataleNYC.blogspot.com and co-hosts "Cinema in Noir" podcast on Sundays BlogTalkRadio 6PM-7PM EST. You can find her on Twitter: @FilmFatale_NYC
An interview with the director of Pariah and Bessie.
An interview with "Girlhood" director Céline Sciamma.
A letter to Angelina Jolie about the casting of her upcoming take on "Cleopatra."
A piece on the wave of new Black women directors, including Gina Prince-Bythewood, Amma Assante, Ava DuVernay and Dee Rees.
"12 Years a Slave" and "The Butler" are part of a valuable subgenre of American film that dramatizes the fallacy of "Black respectability"—the notion that if African-Americans will only speak, dress and behave in a certain way, discrimination won't affect them, and they'll reap the American dream.