In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


Steve Jobs

The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…


Knock Knock

As a piece of social satire, Knock Knock winds up being not just toothless but anticlimactic.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Noah Gittell

Noah Gittell

Noah started writing about film in fourth grade with his review of "Driving Miss Daisy" for a Montessori school writing assignment (4 stars). Jumping ahead, he started writing a blog on film and politics, Reel Change, in 2012. Since then he has written for The Atlantic, Washington City Paper, Salon, Esquire, Film School Rejects, Think Progress, Movie Mezzanine, and others. Noah has also appeared on BBC and Fox News, and will lecture at the Smithsonian in February 2014. He still hasn't really figured out Twitter, but he's trying @reelchanger.