Led by a fine performance by Jack O’Connell, ’71 balances edge-of-your-seat thrills with surprisingly balanced scenes of drama. Evokes the work of Paul Greengrass and…
Max Winter is a poet and critic, and the managing editor of the IndieWire blog Press Play. He has published reviews in The Boston Globe, The San Francisco Chronicle, Time Out New York, Bookforum, and other publications. His first book of poems, The Pictures, was published by Tarpaulin Sky Press. He co-edits the press Solid Objects, and he is a Poetry Editor of Fence.
What’s happened to physical comedy? Have we’ve lost the desire to stimulate the part of the brain pratfalls talk to? Max Winter wants answers to these questions, and wonders if the great silent comedian Harold Lloyd can provide them.
HBO’s Pussy Riot: A Punk Prayer lets us look closely at young women who have been the subject of so much conversation that their personhood has almost been obscured.
With its partly improvised dialogue and eruptions of argument, Mike Leigh's "Life is Sweet," now on Criterion DVD, gave viewers was insight into where the director had been, artistically. It also hinted at where he was going: into territory with far more visual and verbal polish.