Director Mark Jackson’s drama is a chilly study in grief starring Catherine Keener as a war-zone photographer shattered by her experiences in Libya.
Matt Zoller Seitz is the Editor-in-Chief of RogerEbert.com. He is also the TV critic for New York Magazine & Vulture.com, and a finalist for the Pulitzer Prize in criticism.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five part 2009 video essay Wes Anderson: The Substance of Style was later spun off into the hardcover book The Wes Anderson Collection. Seitz is the founder and original editor of The House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy "Home" and the forthcoming science fiction epic "Rabbit of the Sith." He is currently writing memoir titled "All the Things that Remind Me of Her."
True story, kind of.
Strong female characters and "Trinity Syndrome"; Spielberg's next two films; the ugly aftertaste of Louie Season 4; 'Mad Men' and family relations; Roddy McDowall's home movies.
MZS takes a hard-hitting, investigative look at his dad.
Re-reading Ramona through a parent's eyes; what happens when female villains and avengers drive movies; Shonda Rhimes disses hashtag activism; creepy Paddington Bear.
The tortured history of Entertainment Weekly; Francis Coppola predicts the future of cinema again; the hypocrisy of Hollywood when it comes to abortion; Stanley Kubrick's boxes.
Why critics keep getting laid off; about That Episode of "Louie"; Robert DeNiro, anatomy of an actor; classic cars on film, posterized.
Let's make a game of it.
In honor of the twentieth anniversary of "Pulp Fiction" premiering at the Cannes Film Festival, here's a video essay about Quentin Tarantino's cool characters, and how they mythologize themselves.
Richard Linklater discusses the release of Bernie Tiede and the production of "Boyhood."
Robert Yeoman, the cinematographer on all of Wes Anderson's features, talks about the example of the great Gordon Willis, who died this weekend at 82.