Pirates of the Caribbean: Dead Men Tell No Tales
Been there, plundered that.
Matt Zoller Seitz is the Editor-in-Chief of RogerEbert.com. He is also the TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and television has appeared in The New York Times, Salon.com, The New Republic and Sight and Sound. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine, and the co-founder and original editor of Press Play, an IndieWire blog of film and TV criticism and video essays.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include Mad Men Carousel: The Complete Critical Companion, The Oliver Stone Experience, and TV (The Book). He is currently working on a novel, a children's film, and a book about the history of horror, co-authored with RogerEbert.com contributor Simon Abrams.
Dr. Strangelove revisited; William S. Burroughs and his centipedes; dear critic, we will pay you to write about our film.
"Only Lovers Left Alive" is Top 5 Jim Jarmusch for sure; a long, warm bath in sensuality, with flashes of Wong-Kar Wai amid the ennui. In its deliberate slowness, it also ends up feeling like requiem for 20th century film storytelling, and for the pre-digital world.
RogerEbert.com contributor Godfrey Cheshire's landmark two-part series "Death of Film/Decay of Cinema" anticipated many of the changes that would later shake the medium to its core.
A breakdown of the opening of "Inglourious Basterds"; in praise of old TV; the ethics of torrenting; Shining twins, activate!
"Lucy" and the enduring appeal of the instance upgrade; why the second Indy movie is so dark; in defense of ComicCon; the Coens and souls at hazard.
An appreciation of James Shigeta, best known for playing Joseph "Joe" Takagi in the original "Die Hard."
Advice for Journalists and writers of color; the virtues and pitfalls of tossing brickbats online; 'Eyes Wide Shut' at 15; 'Pickpocket' on Blu-ray.
Apologizing for the Manic Pixie Dream Girl; what to do about clickbait web sites that pretend to peddle "satire"; why it's important to give credit; "24: Live Another Day" ends its run.
A remembrance of actor Dave Legeno, by screenwriter J.D. Zeik.
RogerEbert.com editor Matt Zoller Seitz discusses the impact of Richard Lester's great musical comedy "A Hard Day's Night," which revolutionized the use of pop music in cinema and made big-screen stars of the Beatles.