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Geostorm

God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…

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Same Kind of Different as Me

It can be hard to disagree with the heart and events of this true tale, except for when the movie reveals itself to be mighty…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is an Assistant Editor at RogerEbert.com and is a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. His writing/editing experience includes serving as Assistant A&E Editor at the Columbia Chronicle and a full-time writer at the Woodstock Independent. He is a monthly guest on Vocalo radio's The Morning AMp program, and is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking. Follow him on Twitter at @IndieOutlook.

Recent Reviews

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Manolo: The Boy Who Made Shoes for Lizards
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Fallen
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#300 April 18, 2017

Matt writes: Ebertfest 2017 is almost upon us, and Chaz Ebert has penned an in-depth preview of the screenings, guests and panels scheduled for this year's festival, running Wednesday, April 19th, through Sunday, April 23rd. "All in the Family" creator Norman Lear, Oscar-nominee Isabelle Huppert and trailblazing filmmaker Charles Burnett are among the artistic giants who will presenting their work in-person at the Virginia Theatre in Champaign, Illinois.

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"Bad at Dancing" by Joanna Arnow; Frank talk from four female directors; David Schwimmer's #ThatsHarassment campaign; Directors reframing black history; Pulling Baltimore out of poverty.

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#299 April 4, 2017

Matt writes: Last week at RogerEbert.com, we celebrated our latest installment of Women Writers Week, featuring essential film reviews, interviews and essays from such insightful voices as Arielle Bernstein, Sasha Kohan, Christy Lemire, Nell Minow, Jana Monji, Christina Newland, Sheila O’Malley, Jessica Ritchey, Justine Smith and Susan Wloszczyna.

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#298 March 21, 2017

Matt writes: In his list ranking the best films of 1987, Roger Ebert included Taylor Hackford’s “Chuck Berry: Hail! Hail! Rock and Roll!,” calling it “the year's best musical documentary, a rollicking and sometimes revealing record of the attempt by Rolling Stone Keith Richards to stage a 60th birthday concert for Berry, at which the pioneer of rock and roll would at last be accompanied by a well-rehearsed backup band.” After Berry passed away last weekend, our critic Glenn Kenny penned an insightful obituary that paid tribute to Hackford’s film. “Aside from being a superb portrait of Berry—and of Richards, whose intelligence and clear devotion to music here belies his sometime rap as a wizened five-string-zombie,” wrote Kenny, “[it] is one of the great rock and roll documentaries.” And of Berry, Kenny argued, “For all the great things he achieved, he deserves to be the fifth face on Mount Rushmore.”

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