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Life

Life struck me as several cuts above “meh” but never made me jump out of my seat.

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Power Rangers

Trashy, goofy, and surprisingly sincere, this superhero fantasy is better than you expect but not as good as it should be.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is an Assistant Editor at Ebert
Publishing and is a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. His writing/editing experience includes serving as Assistant A&E Editor at the Columbia Chronicle and a full-time writer at the Woodstock Independent. He is a monthly guest on Vocalo radio's The Morning AMp program, and is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking. Follow him on Twitter at @IndieOutlook.

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#291 December 13, 2016

Matt writes: At RogerEbert.com, we recently published a thoughtful essay by Pete Croatto in which he makes his case for "why film critics should see bad movies." Of course, how can one judge what is good if they ignore what is bad? Many of Roger Ebert's most entertaining reviews were the ones where he eviscerated a bad movie with his scathing wit and unbridled love for the oft-squandered potential of the art form. Three books have been devoted to compiling the best of Roger's negative reviews, and they were recently paid tribute by critic Brent Northup in his review of "Shut In" for Helenair.com. My personal favorite of Roger's bad movie takedowns was his half-star review of 1997's disastrous live-action comedy, "Mr. Magoo."

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#290 November 29, 2016

Matt writes: Living legend Warren Beatty has a new film in theaters—his first in 18 years—and it has received quite a bit of coverage at RogerEbert.com. Matt Zoller Seitz awarded the film three stars, while Brian Tallerico interviewed Beatty along with the film's two young stars, Alden Ehrenreich (the future Han Solo) and Lily Collins. Yet in addition to these new articles, our site contains a wealth of archival interviews with Beatty conducted by Roger Ebert, including this essential conversation from 1967, in which Beatty discusses the controversial violence in "Bonnie and Clyde" famously panned by The New York Times critic Bosley Crowther.

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