Some of it is too broad, and I wish it dug a little deeper at times, but this is one of those rare inspirational films…
Matt Fagerholm is an Assistant Editor at RogerEbert.com and is a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. His writing/editing experience includes serving as Assistant A&E Editor at the Columbia Chronicle and a full-time writer at the Woodstock Independent. He is a monthly guest on Vocalo radio's The Morning AMp program, and is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking. Follow him on Twitter at @IndieOutlook.
Matt writes: We are certain that Roger Ebert would've been thrilled by director Patty Jenkins' recent record-shattering triumph. Her superhero blockbuster, "Wonder Woman," had the highest-grossing opening weekend for a film directed by a woman, and has earned widespread acclaim from both audiences and critics (including our own). It is only Jenkins' second feature, arriving 14 years after her astonishing debut, "Monster," which was hailed by Ebert as the best film of 2003, containing a performance by Charlize Theron that was dubbed by the critic as one of the greatest in cinema history (Theron went on to win the Best Actress Oscar).
Crying through the fight scenes in "Wonder Woman"; Behind Wonder Woman is a great man; How Patty Jenkins saved DC; Tributes to 1978's "Superman"; Ebert on Jenkins.
Matt writes: The 2017 Cannes Film Festival just came to a close on May 28th, and you can find our complete coverage of the highlights, lowlights and everything in between at RogerEbert.com. Our full roundup of written dispatches from Barbara Scharres and Ben Kenigsberg, as well our video reports from Chaz Ebert, can be located on our Cannes 2017 Table of Contents. You will find our thoughts on the latest work of filmmakers such as Noah Baumbach, Sofia Coppola, Michael Haneke, Michel Hazanavicius, Todd Haynes, Bong Joon-ho, Yorgos Lanthimos and Lynne Ramsay, as well as our coverage of the Netflix controversy that engulfed the Croisette.
Brad Jones on "Jesus, Bro!"; Period episode on "Anne With an E"; Perils of writing while female; In defense of radical transparency; Trump praises Rodrigo Duterte.
Bobbi Jene Smith on "Bobbi Jene"; Influence of Bentonville Film Festival; Are Midnight Movies Dead?; Diving into "Henry Gamble's Birthday Party"; In praise of "Certain Women."
Chaz Ebert's Cannes Survival Guide; Kidman is Queen of the Croisette; Vanessa Redgrave turns director; Not enough female filmmakers; Dunst and Coppola on Hollywood sexism.
Matt writes: The 2017 Cannes Film Festival is nearly here! It will run from May 17th through the 28th, and RogerEbert.com will be providing in-depth coverage every step of the way, including our annual video reports from publisher Chaz Ebert. This year's selections include the latest work from such acclaimed filmmakers as Noah Baumbach, Sofia Coppola, Michael Haneke, Michel Hazanavicius, Todd Haynes, Bong Joon Ho, Yorgos Lanthimos and Lynne Ramsay.
Maria Dragus on "Graduation"; Phyllis Diller at the Smithsonian; Cinema's obsession with cyberpunk; Joy of "Sandy Wexler"; 10 real laws straight out of "The Handmaid's Tale."
Rest in Peace, Al Nalbandian; Merging of Hollywood and China; Nnedi Okorafor on whitewashing; Decline of the Western; Kristen Stewart on bisexuality.
An interview with Azazel Jacobs, writer/director of "The Lovers."