In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_zqamxwv5mxkk6w0xulw7pwsteof

Keanu

Keanu is fun, and even sometimes outright hilarious, but it doesn’t live up to the skills of its central performers.

Thumb_large_duksgz4wurypn9yyqplujgsjfrn

Ratchet & Clank

At some point, the movie has to rely on the things at which it previously poked fun.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Contributors

Bill Stamets

Bill Stamets


Bill Stamets is a film lecturer at the University of Chicago Graham School of Continuing Liberal and Professional Studies. He posts at billstamets.com. Previously he freelanced at the Chicago Sun-Times, Newcity and Chicago Reader; and taught film at the School of the Art Institute of Chicago, Columbia College Chicago, and the University of Colorado at Boulder. He is a Super-8 filmmaker too.

Reviews Filter Show Filters | Reset Filters

1914
2016
0
4.0
Widget_krkdkhr4emucv7qaqecvmvtvoom
A Place at the Table

(2013)

Black Venus: A study in exploitation

Primary_eb20120302filmfestivals120309998ar

"Black Venus" screens twice in the 15th Annual European Union Film Festival: Saturday, March 3, 2:15 pm; Tuesday, March 6, 7:30 pm. At the Gene Siskel Film Center, 164 North State Street, Chicago. Admission: $11; $7 students. (312) 846-2600. In English, French, Afrikaans, Dutch, with English subtitles.

Continue reading →

The Keystone Chaplin on DVD

Primary_eb20101020commentary101029997ar

How did Charles Chaplin get his start on the screen? In 1913 the English comic was on a U.S. tour with a vaudeville troupe when the Keystone Film Company offered him $150 per week. Chaplin signed a contract and took the train to Los Angeles. He acted on camera for the first time in "Making a Living." A critic at The Moving Picture World gushed that the newcomer was "a comedian of the first water, who acts like one of Nature's own naturals."

Continue reading →