A Woman, a Part
A Woman, a Part mixes passion and ambivalence to create a work whose ambiguities seem earned, and lived in
A look at what films like "Sully" and "Deepwater Horizon" say about the modern disaster movie.
The new "Ghostbusters" film brings a battle between distorted nostalgia and the power of a child's imagination.
A comparison between The Danish Girl and The New Girlfriend illuminates what one does right, the other wrong.
A new movie called "No Escape" comes out next week, but there's a 20-year-old movie with the same name you may have forgotten.
A piece on the themes of Andrew Niccol's work in light of the release of Good Kill this weekend.
Mike Cahill's "I Origins" is just the latest in a history of film's obsessed with the human eye.
Alan Zilberman looks at the move to minimalism in musical scores, and how those scores shape our emotional reactions.