Man of Steel
The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…
The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…
Claustrophobia isn't often considered a cinematic asset beyond tales of suspense and horror. But "Fill the Void," an award-winning Israeli drama about a naive 18-year-old…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Here are some ways to celebrate Roger's birthday (a birthday shared by Sir Paul McCartney).
A remembrance by Roger Ebert's book editor Donna Martin: "I had never even seen "Siskel & Ebert" on television when I knew I wanted to…
Here are some ways to celebrate Roger's birthday (a birthday shared by Sir Paul McCartney).
Roger Ebert's birthday celebration, 2013: a Table of Contents.
Kevin B. Lee reports on the film series at MoMA that he co-curated.
Katherine Tulich talks to Julie Delpy, Ethan Hawke and Richard Linklater about returning once again to the characters from "Before Sunrise" and "Before Sunset" for…
Andy Ihnatko recalls the passion for pulp literature that he and Roger shared.
Excerpts from interviews and profiles of Roger Ebert, from Esquire, The New York Times, The Boston Globe, Publishers Weekly, and Fresh Air.
What we tried to do in this video was give an overall impression of Cannes--the films, the publicity, the crowds. This is the top convention city in France, and it's strange to think of the Palais as hosting car dealers or financial experts, but it does. Especially on the weekends, the city is jammed by tourists who have no hope of getting into a screening, but just like to hang around and see the stars walking up the steps on the famous red carpet.
Photographed and edited by Scott Dummler. Assistant producer, Sonia Evans. The photographs are by Scott.
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