Jeremy Saulnier makes a striking debut that brings to mind Blood Simple and Pulp Fiction.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
Robert Cameron Fowler, a Roger Ebert Scholarship recipient, reports on ten memorable characters in films form the 2014 Sundance Film Festival.
Robert Rodriguez adapts the George Clooney-Salma Hayek vampire thriller for his El Rey network.
Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.
Wes Anderson talks about the sources behind "The Grand Budapest Hotel", dining with his cast every night on location, and the comic gifts of Ralph Fiennes.
Three new network dramas premiere in the next two weeks and two of them are actually worth a look.
The CNN documentary series "Chicagoland" looks at Chicago's problems with violence and school reorganization.
Why DiCaprio doesn't get lucky at the Oscars; Atheism in Hollywood; Famous rejection letters; Wes Anderson as an advertiser; Auteur theory and Kent Jones.
Eric Kohn attends the Oscars; The economical realities of being an actor in Hollywood; Product placement at the Oscars; A woman confronts her critics; Remembering the Laser Age.
A parody of "Let It Go" tackles Chicago's long winter.
Recent releases on Blu-ray.