A high tech thriller with plenty of tech and not enough thrills.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
An article about two special guests confirmed for Ebertfest 2017.
Stephen Cone on "Personal Shopper"; Jack C. Newell on "Open Tables"; Not-so-secret life of Terrence Malick; Studio Ghibli's girl power; Éric Rohmer's battle of the sexes.
A review of the fourth original Marvel series for Netflix. And the worst.
Three more films from SXSW, including one of the year's best performances so far and the return of an acting legend.
A review of the original series "Snatch," premiering tomorrow on Crackle.
Jan P. Matuszyński’s debut feature, which can be seen this week as a part of the New Directors/New Films festival, is the finest movie to come from Poland in the last 25 years.
A SXSW dispatch on three timely films from young, talented directors.
An interview with director Danny Boyle about "T2 Trainspotting."
An excerpt from the March 2017 issue of the online magazine Bright Wall/Dark Room about "My Neighbor Totoro."
Reviews of SXSW docs "DRIB," "Ramblin' Freak" and "The Work."