Lights Out has been made with a certain degree of style—enough to make you want to see what Sandberg might be capable of with a…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Christine Swanson on "The Miki Howard Story"; Who's afraid of female Ghostbusters; Trump is wrong on Muslims; Remembering Anton Yelchin; How "Silicon Valley" nails Silicon Valley.
A recap of Wednesday night's open of AFI Docs with Alex Gibney's "Zero Days" and highlights of what's to come.
A TV critic's picks for the best TV of 2015-16.
A packed version of our Blu-ray guide with thoughts on "Knight of Cups," "Midnight Special," "10 Cloverfield Lane," "45 Years" and many more!
A TV review of Cameron Crowe's "Roadies."
A preview of the 2016 New York Asian Film Festival, including Sammo Hung's "My Beloved Bodyguard" and Yee-sum Luk's "Lazy Hazy Crazy."
An interview with writer/director Nicolas Winding Refn and star Elle Fanning about "The Neon Demon."
Co-director David Farrier on the creation and controversy of his tickling empire documentary "Tickled."
A review of the new CBS murder mystery, "American Gothic."
A review of the debut film from Elisabeth Subrin, starring Maggie Siff, Cara Seymour and John Ortiz.