"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
Jason Bateman talks about directing, working with kids, and shaking up his nice-guy image for an R-rated comedy.
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don't need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
The death of modern malls; Matthew Weiner talks Mad Men; Spike Lee is coming to Ebertfest; Nicolas Cage on film critics and being famous; Daze and Confused and growing up.
Recent releases on Blu-ray.
An interview with J.P. Donleavy; The art of watching and writing about documentaries; More details about Ebertfest released; Kurtwood Smith on his acting career; A defense of 300: Rise of an Empire.
"True Detective" finale; coverage of the True/False film festival; the case against Wes Anderson; a case for Wes Anderson; inside the mind of a psychopath
Bob Calhoun uses a new book, "Shock It to Me: Golden Ghouls of the Golden Gate", to track down the details of the horror movies of his childhood.
Robert Cameron Fowler, a Roger Ebert Scholarship recipient, reports on ten memorable characters in films form the 2014 Sundance Film Festival.
Robert Rodriguez adapts the George Clooney-Salma Hayek vampire thriller for his El Rey network.