Beauty and the Beast
A sturdy and frequently dazzling version that should leave audiences swooning with delight.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
A report on the four films of the Biennale College from this year's Venice Film Festival.
A review of two new shows on FX, "Atlanta" and "Better Things."
A review of the latest directorial project by Mel Gibson, straight from its Venice premiere.
A review from the Venice Film Festival of Paolo Sorrentino's new series.
A report on the latest from Tom Ford and Wim Wenders out of Venice.
A preview of the films playing at the 2016 Telluride Film Festival.
A TV review of OWN Network's new soap opera "Queen Sugar," created by Ava DuVernay and Oprah Winfrey.
An interview with Steve James, director of "Abacus: Small Enough to Jail."
For the love of Gilda; Where Mister Rogers' spirit endures; Shipwreck expert surveys "Little Mermaid"; Pine and Bridges on "Hell or High Water"; Praising "Shades of Blue."
The first diary entry from Glenn Kenny out of the 2016 Venice Film Festival.