God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
The first thing that happened to Stanley Kramer after he walked through the door of the Old Town Saloon was that a young lady said: "You Stanley Kramer? I hated your movie."
STOCKHOLM - Even when he is not behind a camera, Bo Widerberg is a director, concerned with the arrangements of things. He takes a dinner knife and draws boundaries on the table cloth, and then he divides the wine glasses and bread plates into groups related somehow to the lines he has drawn.
Rex Harrison admittedly isn't as dumpy as Dolittle, perhaps because they weigh the same but the doctor is about a foot shorter. But what difference does that make?
Just before the big production number in "Footlight Parade," James Cagney says: "If this doesn’t get ‘em, nothin’ will." What follows is the famous "By a Waterfall" sequence in which Dick Powell dreams of dozens of beautiful mermaids sliding and swimming down a waterfall. One of the little creatures, naturally, is Ruby Keeler.
For an hour the screen was filled with clips from the movies of 37 years. Garbo in "Camille." Katharine Hepburn in "The Philadelphia Story" and again with Spencer Tracy in "Adam's Rib." Ingrid Bergman in "Gaslight." Audrey Hepburn in "My Fair Lady." And, of course, Judy Garland in "A Star Is Born."
You aren't going to believe this, but Sandra Dee is an all-right chick. The first thing she said was: "Well, do you want the party line? You know, about my mother and my new mink coat, and how I feel about my divorce, and how much I love to cook, and how I'm really just a little ole homebody at heart?"
Maybe a young director shouldn't expect too much. Peter Watkins made "The War Game," a documentary about nuclear war, and it was banned on British television and described by Kenneth Tynan as the most important film ever made. Then Watkins made his first full-length feature, "Privilege," in which he was just as bitter, in a different way, about how things were going. But the reviewers didn't exactly lose their cool." Watkins said the other day. "You know the kind of review. It's a good try, they say. Interesting. Original. But it doesn't quite come off." Watkins' "The War Game," which has been at the World Playhouse for a month, shows what would happen if a small nuclear device were to explode off-target in England.
When the press agent returned from Jane Fonda's dressing room, his face was grim.
FORT BENNING, GA -- A lot more people sing on the radio about a-goin' way down to Columbus George-ah, than ever actually get around to a-goin' there. Voluntarily, anyway. The first thing you see in the airport is a big sign telling draftees what arrangements have been made for their transportation to the fort.
The headline on the press release describes Peter Collinson as "the man who came from nowhere and is on his way to somewhere."