Pirates of the Caribbean: Dead Men Tell No Tales
Been there, plundered that.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
You aren't going to believe this, but Sandra Dee is an all-right chick. The first thing she said was: "Well, do you want the party line? You know, about my mother and my new mink coat, and how I feel about my divorce, and how much I love to cook, and how I'm really just a little ole homebody at heart?"
Maybe a young director shouldn't expect too much. Peter Watkins made "The War Game," a documentary about nuclear war, and it was banned on British television and described by Kenneth Tynan as the most important film ever made. Then Watkins made his first full-length feature, "Privilege," in which he was just as bitter, in a different way, about how things were going. But the reviewers didn't exactly lose their cool." Watkins said the other day. "You know the kind of review. It's a good try, they say. Interesting. Original. But it doesn't quite come off." Watkins' "The War Game," which has been at the World Playhouse for a month, shows what would happen if a small nuclear device were to explode off-target in England.
When the press agent returned from Jane Fonda's dressing room, his face was grim.
FORT BENNING, GA -- A lot more people sing on the radio about a-goin' way down to Columbus George-ah, than ever actually get around to a-goin' there. Voluntarily, anyway. The first thing you see in the airport is a big sign telling draftees what arrangements have been made for their transportation to the fort.
The headline on the press release describes Peter Collinson as "the man who came from nowhere and is on his way to somewhere."
LONDON - No film in the last 10 years has gotten better reviews in London than Warren Beatty's "Bonnie and Clyde," which opened here last week and in Chicago Friday. Beatty had all the reviews clipped out and stuck in a cardboard folder, which was resting on the coffee table in his room at the Gloucester Hotel. He kept pointing to the folder as if it was an exhibit and this was a trial.
LONDON - So here was David Hemmings, home again, drinking a pint of beer in his neighborhood pub. He lifted his pint from the counter, carried it over to a table in the corner, sat down drank deeply and sighed.
LONDON - All was abustle in the abandoned conservatory of the Duke of Langley's late manorial seat. Two prop men were delicately arranging a chess game between skeletons while a third. high up against one wall, was pulling a hidden wire to make an enormous dragon sit up and look around.
David Steinberg is a wee slip of a lad. So there it is in print. We were eating raspberry sherbet one day, and Steinberg said, "Look, when you do this article, how are you going to start it?"
When the producer is Ross Hunter, you go to him. He greeted his visitor at 10 a.m. last Monday in his suite at the Ambassador East. He was garbed in a blue silk dressing gown with Japanese sleeves, and he apologized, but - well, it was 10 in the morning, you know. His latest film: "Thoroughly Modern Millie."