300: Rise of an Empire
In comparison with "300", this insane film is more engaging by dint of being absolutely impossible to take even a little bit seriously.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
Stephen Tobolowsky remembers Harold Ramis; Alec Baldwin says goodbye to public life; A snipe at Jared Leto and his performance in Dallas Buyers Club; Jimmy Fallon is not funny.
RogerEbert.com writers share their favorite memories of watching the Oscars.
A grown man is addicted Legos; How we define a great year for movies; Women and the Oscars; Bourne as the best action-hero; Martin Scorsese's New York City.
The calculation of odds is finished. The campaigning is done. Erik Childress predicts the winners of the Oscars.
Three filmmakers talk about their different challenges in adapting for the screen from a novel, a memoir and histirical accounts.
The makers of three films from the 2014 Sundance Film Festival muse on the challenges of adaptation.
Ebert Scholarship recipient Carlos Aguilar talks to four filmmakers from around the globe about American cinema, American audiences, and their experiences at the 2014 Sundance Film Festival.
Recent releases on Blu-ray.
Harold Ramis dies at 69; A look at the state of film criticism; Method acting destroying the profession; Meryl Streep and the Oscars; Sex and the City ten years later.
A remembrance of Harold Ramis.