Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
New York Film Critics Circle deems "American Hustle" best picture; the Oscar documentary shortlist; the earning potential fo the regional film festival circuit; Ted Hope's 30 really bad things in the indie film biz; Buffalo's remaining movie theater may go dark.
Critics group nominates "The Wolf of Wall Street" for several awards, perhaps without seeing it; why the kerfuffle between Elan and Diane on that plane last week is a lesson on why people shouldn't believe everything they read; hwo Disney successfully misrepresented "Frozen."
Alan Zilberman looks at the move to minimalism in musical scores, and how those scores shape our emotional reactions.
Director Joe Dante talks about his sideline running the Trailers from Hell website, which showcases the much-maligned film preview.
How we discuss celebrity deaths; Maria Bello's modern coming-out; filmmaker Ava DuVernay on black films and filming black people; best books of 2013; how graphics are innovating documentaries.
Seventy-five years late, an early film production by Orson Welles finally had its New York City premiere.
Paul Walker, who died yesterday in a car crash at 40, was an action film star known for his Everyman charm and his ability to provide a dependable center for the craziness around him.
Written and directed by Frank Darabont, TNT's noir mini-series is a remarkably accomplished and thoroughly enjoyable piece of work.
The AV Club picks 33 TV shows to binge on over the long weekend; a black writer explains why it's hard to watch 12 Years a Slave with a white person; how Supergirl, of all movies, changed the way Hollywood treated Thanksgiving.
Glenn Kenny highlights the picks of Blu-ray releases for the month of November