Keanu is fun, and even sometimes outright hilarious, but it doesn’t live up to the skills of its central performers.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
I've seen a lot of editing feats like this, but there seems to be an uncanny match here between the music and the action. It consumes me with the desire to see a Rita Hayworth musical right away.
Thanks for the link to MIchael Jones.
Sylvia Plath, October 27, 1932 - February 11, 1963 These poems are read by Tom O'Bedlam (seen below), on his website Spoken Verse, one of the web's most impressive treasures. You can spend hours on a visit.
"All Together," or "Et si on vivait tous ensemble?" (97 minutes) is available via VOD on various cable systems, and on iTunes, Amazon Instant and Vudu.
The cinema of 2012 is brought to you by Viagra, or so it seems. The year has been chock full of movies about horny old people. Sure, the characters still complain, have aches and pains, and deal with moments both senior and regrettable. But Nana's also out to prove she's still got the ill na na, and Gramps is in the mood like Glenn Miller on an endless loop. Films like Dustin Hoffman's "Quartet," with its randy Billy Connolly, and the main characters of Stephane Robelin's "All Together" dispel the myth that once you go gray, the sex goes away. These folks are reclaiming "bitch and moan" from its grumpy origins, and turning the phrase into a cause-and-effect relationship.
The Ebert Club is invites you to share this classic William Castle B-rated movie, streaming free. And please join the Club and explore an eclectic assortment of discoveries. Your subscription helps support the Newsletter, the Far-Flung Correspondents and the On-Demanders on my site. - Roger Ebert
House on Haunted Hill (1959) Directed by William Castle. Produced by William Castle. Written by Robb White. Starring Vincent Price, Carolyn Craig, Elisha Cook, Carol Ohmart, Alan Marshal and Julie Mitchum.Synopsis: House on Haunted Hill is the tale of five people invited to spend the night inside a haunted house by an eccentric millionaire, Fredrick Loren, whose throwing a "party" for his fourth wife Annabelle - with the stipulation that the power will be out and the all the doors locked at midnight; allowing no escape. Anyone who stays inside the house for the entire night, assuming they're still alive come morning, will receive $10,000 each.The five guests all arrive in separate funeral cars with a hearse leading, which he says may be empty now - but they may be in need of it later. Frederick explains the rules of the party and gives each of the guests a .45 pistol for protection. Frederick's wife tries to warn the guests that her husband is psychotic, causing them to be very suspicious of him now, especially Nora Manning who becomes convinced he's trying to kill her when she keeps seeing mysterious ghouls - including the ghost of Annabelle, who'd apparently hanged herself after being forced to attend the party....holy crap, what the hell's going on..?!
For more B-rated treasures, go here to join the Club
P.S. ~ IMDb reports: "William Castle used a gimmick called 'Emergo' in theaters. When the skeleton rises from the acid vat in the film, a lighted plastic skeleton on a wire appeared from a black box next to the screen to swoop over the heads of the audience. The skeleton would then be pulled back into the box as the skeleton in the film is 'reeled in.' Many theaters soon stopped using this effect because when the local boys heard about it, they would bring slingshots to the theater; when the skeleton started its journey, they would pull out their slingshots and fire at it."
"The Girl" premieres on HBO at 9:00pm (8:00pm Central) on Saturday, Oct. 20. It will also be available on HBO GO.
by Jeff Shannon
October, 1961: A New York fashion model on the verge of Hollywood stardom, 31-year-old Tippi Hedren (Sienna Miller) is invited to a celebratory lunch with legendary film director Alfred Hitchcock (Toby Jones) and his wife Alma (Imelda Staunton), who's also his long-time collaborator. A divorced single mother (of future actress Melanie Griffith, then four years old), Hedren is plucked from obscurity to star in "The Birds," Hitchcock's highly anticipated follow-up to his phenomenally successful 1960 thriller, "Psycho." After Alma sees her in a TV commercial ("I like her smile," she says to "Hitch"), she arranges a meeting. Secretly smitten, Hitchcock directs Hedren's screen test in his own Bel Air home and, shortly thereafter, offers a toast.
When: Through Oct. 25Where: Screenings at AMC River East 21, 322 E. Illinois St. (unless noted).
"Paul Williams Still Alive" (87 minutes) will be available on VOD October 16th via (Comcast, Time Warner, Cox, Bright House, among other cable providers), iTunes, VUDU, YouTube, Amazon, Sony (Playstation), Microsoft (Zune, Xbox), Blockbuster, AT&T, DirecTV, DISH.
by Donald Liebenson
In begrudgingly recommending "Paul Williams Still Alive" to his legion of fans, I am reminded of a Rolling Stone magazine review of Janis Joplin's first solo album, "I Got Dem Ol' Kozmic Blues Again Mama!" Janis never sounded better, the reviewer said, but to enjoy her, you had to be able to tune out her backup band. A similar caveat is necessary here. Enjoyment of "Still Alive" will depend on your tolerance of writer-director Stephen Kessler, who takes Williams' joke at one point that the documentary could become the "Paulie and Steve Show" as a carte blanche invitation to intrude on the proceedings.