There are two movies in "Jackie." One of these movies is just OK. The other is exceptional. The first one keeps undermining the second.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Part two of our countdown of twelve great scenes set around Christmas: #8–#5.
"Anchroman 2: The Legend Conitunes" director Adam McKay talks about Mel Brooks, 1980s television news and Ron Burgundy's pet shark.
We're counting down twelve great movie scenes set around Christmas. Here is the first batch, with #12 through #9.
"The Stream" finally may be drying up; Beyoncé the feminist; top 2013 horror films; Shia Labeouf ponies up; "Fraggle Rock" is still the best.
Roger's conversation with Peter O'Toole at the 2002 Telluride Film Festival
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
Peter O'Toole 1932-2013; revisiting the Boston bombings; when Shaft ruled Hollywood; why we need more than three genders; how "Gravity" harkens back to film's silent era.
Dan Callahan has an appreciation of the career of Joan Fontaine.
Friends and colleagues of Roger will share stories and answer questions on the Twitter feed of the new doc about Roger, "Life Itself," in a series of live chats.
Critic Inkoo Kang deems "The Wind Rises" disgraceful; critic Amy Nicholson deems "Saving Mr. Banks" a spoonful of lies; the prison memoir by an African American has been discovered; real 2013 heroines of film; an academy taxonomy.