The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
Johnny Cash had one requirement for the star of "Walk the Line": "Whoever plays me, make sure they don't handle the guitar like it's a baby. Make them hold it like they own it!"
TORONTO -- Flora Cross is a beautiful young girl and a wise old soul. She has a gravity about her. By that I do not mean that she is sad, but that she weighs matters, considers what they are, and says what she thinks. That is a rare quality in anyone. Flora Cross is 12.
Ten things I learned while talking with Nicolas Cage:
HONOLULU -- I've been away from the Hawaii Film Festival for a few years, and things have changed. Two indications:
HONOLULU -- "I saw your new movie and I thought it was really good," I told Bai Ling.
"She is a gazelle in a goddess suit." We are discussing Charlize Theron, and that is how her director, Niki Caro, describes her. It is true enough, yet consider the role for which Theron won an Oscar two years ago and the new role for which she will undoubtedly be nominated this year. In "Monster" (2003), she played a desperate hooker who worked freeway rest stops, was overweight, her face mottled, her teeth awry.
June 22, 1967
"I don't think Capote knew exactly what he was setting himself up for," Philip Seymour Hoffman said. "He said later if he'd known what was going to happen, he would have driven right through the town like a bat out of hell."
TORONTO, Ont. - Although the Toronto Film Festival lacks an official competition, lots of awards are handed out on closing day. As they were announced Saturday, I felt like I was standing on the pier waving sadly as the ship sailed. Although I saw 43 of this year's films, either here or at Telluride, Cannes or Sundance, I managed for the first time to get through the entire festival without having seen a single film that won a prize.
TORONTO – I have another few movies to see, and the awards are still to be announced, but Toronto 2005 is basically history, and now what remains is for its many wonderful films to find their audiences. There’s general agreement that this will be an autumn to remember among those who care about good films.