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American Sniper

American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…

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The Interview

Opportunities at rich satire flatten out into Hangover dude-dope-doodoo jokes, where the premise is that there’s nothing funnier than watching over-privileged grown men act out…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Encounters at the End of the Mind

May Contain Spoilers

There are a few spoilers here. Because I am mentioning that there are spoilers, I am implying that there are things you do not want to know in advance, thus making you curious, thus lifting your expectations higher than they should be, thus making it harder for you to enjoy the film. So, enter at your own risk.

Occasionally I receive a paper from a student that is so outstanding in content and ideas, that in grading it I am compelled to overlook the shortcomings in argument, style and polish. Such is my experience with Christopher Nolan's "Inception." This movie is very ambitious, not only in the ideas it explores, but also in the expectations it has of its audience. In my estimation, having watched the film on a giant screen with a packed theater of cheering, laughing, and groaning moviegoers at a popular suburban multiplex, it fulfills its ambitions of big-budget intelligent storytelling.

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