Slick, glossy and radiating juicy villainy, it knows exactly what kind of movie it is and goes for it with giddy abandon.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Matt writes: In his list ranking the best films of 1987, Roger Ebert included Taylor Hackford’s “Chuck Berry: Hail! Hail! Rock and Roll!,” calling it “the year's best musical documentary, a rollicking and sometimes revealing record of the attempt by Rolling Stone Keith Richards to stage a 60th birthday concert for Berry, at which the pioneer of rock and roll would at last be accompanied by a well-rehearsed backup band.” After Berry passed away last weekend, our critic Glenn Kenny penned an insightful obituary that paid tribute to Hackford’s film. “Aside from being a superb portrait of Berry—and of Richards, whose intelligence and clear devotion to music here belies his sometime rap as a wizened five-string-zombie,” wrote Kenny, “[it] is one of the great rock and roll documentaries.” And of Berry, Kenny argued, “For all the great things he achieved, he deserves to be the fifth face on Mount Rushmore.”