A high tech thriller with plenty of tech and not enough thrills.
Q. You asked if readers raised on color had any thoughts on the B&W issue. I was born in 1971, and the worlds of television and cinema were fully in color. I grew up "hating" black and white, and dismissed it as something that was only used because there was no better option. In my teenage years, I saw two films that used black and white when color was readily available, and it worked exceptionally well: Woody Allen's "Manhattan," and David Lynch's "Eraserhead." These films convinced me that black and white is beautiful, and can help in the creation of mood and theme (although Lynch might have done "Eraserhead" in B&W for financial reasons).