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The Water Diviner

Russell Crowe's directorial debut, a drama about a man trying to save three sons who disappeared at the battle of Galliipoli, wants to be a…

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The Age of Adaline

Though it's hampered by rather bloodless lead performances, this story of an ageless woman and her two great loves finds its tone in its second…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Beauties in black and white

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Q. You asked if readers raised on color had any thoughts on the B&W issue. I was born in 1971, and the worlds of television and cinema were fully in color. I grew up "hating" black and white, and dismissed it as something that was only used because there was no better option. In my teenage years, I saw two films that used black and white when color was readily available, and it worked exceptionally well: Woody Allen's "Manhattan," and David Lynch's "Eraserhead." These films convinced me that black and white is beautiful, and can help in the creation of mood and theme (although Lynch might have done "Eraserhead" in B&W for financial reasons).

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