While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. Neil Gaiman claims he holds the record for having sold the most screenplays to Hollywood that were never produced. I thought Harlan Ellison was the gold medalist in that event.
Q. A blogger named Brian at takes issue with your remarks about Paul Greengrass' long takes in "The Bourne Ultimatum," writing: "I don't recall a single take in this movie that was more than about three seconds long. Either Greengrass really does a spectacular job of not 'calling attention' to those long takes, or Ebert saw a different movie. But it's very strange, no matter what." (From goneelsewhere.wordpress.com:) Who's right?
The Toronto Film Festival's leadership uses "postmortem" as a verb, and after this year's festival they're going to be postmorteming a lot. Movies were good, acquisitions were high, screenings were crowded, and sometimes tempers were elevated.
TORONTO--Through the cloud of sadness which has enveloped the Toronto Film Festival since Tuesday, a few films have shone like beacons.
This is a good idea. For six weeks in 19 cities, including Chicago and Evanston, new independent and foreign films will be showcased in two-week runs. You can buy single tickets, or join a club that allows you to attend a preview followed by a discussion with local film critics. And there is a web site for additional discussion. http://movies.yahoo.com/sgfilmseries/index.html