Slick, glossy and radiating juicy villainy, it knows exactly what kind of movie it is and goes for it with giddy abandon.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Walter Chaw revisits Oliver Stone's 1981 horror film "The Hand" and explores the director's fascination with nightmares and the uncanny.
A tribute to the late, great Abbas Kiarostami.
1) Milestone 20th Anniversary: Yes, this very day is Milestone Films' 20th Anniversary Day on Turner Classic Movies, which means you have an opportunity (Wednesday, June 23, 2010, into the wee small hours of Thursday, June 24, 2010) to see such restored essentials as Charles Burnett's "Killer of Sheep," Kent Mackenzie's "The Exiles," Mariposa Film Group's "Word is Out: Stories of Some of Our Lives," Henry de la Falaise's "Legong: Dance of the Virgins and Roland West's "The Bat Whispers. Check your local listings, dammit.
And keep an eye out this year for the Milestone 20th Anniversary Road Tour, bringing 35mm prints of these and other great and near-great films to a town near you (no need to lock up your daughters). Much gratitude and affection to Amy Heller and Dennis Doros for more than 20 years of great work -- and hearty congratulations! (Adam, you are indeed a fortunate son -- in a good way!)
Click above to REALLY enlarge...
UPDATED 01/28/10: 2:25 p.m. PST -- COMPLETED!: Thanks for all the detective work -- and special thanks to Christopher Stangl and Srikanth Srinivasan himself for their comprehensive efforts at filling the last few holes! Now I have to go read about who some of these experimental filmmakers are. I did find some Craig Baldwin movies on Netflix, actually...
Srikanth Srinivasan of Bangalore writes one of the most impressive movie blogs on the web: The Seventh Art. I don't remember how I happened upon it last week, but wow am I glad I did. Dig into his exploration of connections between Quentin Tarantino's "Inglourious Basterds" and Jean-Luc Godard's "History of Cinema." Or check out his piece on James Benning's 1986 "Landscape Suicide." There's a lot to look through, divided into sections for Hollywood and World Cinema.
In the section called "The Cinemaniac... I found the above collage (mosaic?) of mostly-famous faces belonging to film directors, which Srikanth says he assembled from thumbnails at Senses of Cinema. Many of them looked quite familiar to me, and if I'm not mistaken they were among the biographical portraits we used in the multimedia CD-ROM movie encyclopedia Microsoft Cinemania, which I edited from 1994 to 1998, first on disc, then also on the web. (Anybody with a copy of Cinemania able to confirm that? My Mac copy of Cinemania97 won't run on Snow Leopard.)
CANNES, France-- Forty-one years after his "Breathless" swept in the French New Wave and helped herald the modern era of filmmaking, Jean-Luc Godard is back at the Cannes Film Festival with a new movie. The onetime enfant terrible is now 71, and the 1960s "film generation" that marched under his banner is old and gray, but his very presence inspires a certain trembling in the air as the 54th Cannes festival opens. The giants are back in town.
TORONTO -- The program for the Toronto Film Festival falls with the thud of the Yellow Pages. This year, more than 300 films from 53 countries will be shown at the largest and most important film festival in North America, which opened Thursday, and as usual, the crowds will be lining up for everything - literally everything. If your movie can't fill a theater at this festival, you might as well cut it up and use it to floss with.
The Festival International du Film, held annually in Cannes, France, has become the world's most prestigious film festival—the spot on the beach where the newest films from the world's top directors compete for both publicity and awards.