American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
While it is one or two steps behind "Dr. Strangelove," "The President's Analyst" (1967) is a very good black comedy sniggering at Cold War paranoid. Maybe it's not as ruthless as that great comedy, but the movie romps cheerfully on its subjects with a take-no-prisoner attitude. And during this loony joy ride we eventually discover that the movie foretold something very accurate more than 40 years ago.
We have seen many psychiatrist whose lives become more burdensome than usual thanks to their unusual patients in the movies ("Analyze This") and TV series("The Sopranos" and "In Treatment"), but I think no one can top our hero Dr. Sidney Schaefer (James Coburn). His new patient is none other than the president of the United States, the most powerful figure in the world who incidentally does not appear on the screen.
In a Coen Brothers movie every pause and stutter, every "um" and grammatical (mis-)construction, every repetition and idiosyncratic pronunciation, is inscribed like a note on a musical staff. The composer-conductors write the music, indicate the pitch, tempo and duration of each passage, and the select musicians -- soloists and ensemble players -- attack their assigned parts with the virtuoso flair for which they are known. As composers have often written works specifically suited to the talents of their favorite musicians, so the Coens frequently write roles tailored to the individual actors they want to work with.
"Burn After Reading" is a deft little piece, directed with a straight face and performed with a roiling comedic energy that matches brio with precision. That's what makes it funny. Emmanuel Lebezki's cinematography, Carter Burwell's score, Roderick Jaynes' editing (yes, we all know that's a pseudonym) could proudly serve any modern espionage picture. All serve a ridiculously plotted absurdist farce, which is what the best spy stories usually boil down to, whether they're comic or tragic.
HOLLYWOOD - Down the street, he walked using a stethoscope to listen to his own heart: Severn Darden, legend in his own time.
"Here's another one," Severn Darden said. He was standing on the other side of the police station reading descriptions of Chicago's most wanted criminals.
The way it happened that he came to Chicago, Alan Arkin said, was that after he quit singing with the Tarriers he fooled around in New York for awhile, a few acting jobs and a few office jobs that mostly fell through because he couldn't stand working in an office, and then he went out to St. Louis to work with an improvisational group.