The Zero Theorem
Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The NSA plans to reopen the public vetting process for cybersecurity standards; "12 Years a Slave" and the dangers of early Oscar predictions; Disney's new app allows moviegoers to interact with movies while watching them (sigh); our computers are atrophying our brains; "Endless Love" author Scott Spencer on how his novel become a really bad movie (twice); the final moments of Winnie the Pooh; students demonstrate against random drug testing.
Q. In your review of "Enough", you wrote "The day when the evil husband is black and the self-defense instructor is white will not arrive in our lifetimes." "Enough" was certainly reprehensible on most levels, and I am not defending its honor--but would you not have reacted even more negatively towards it if the husband was black and those two characters were white (and the screenplay remained the same)? Wouldn't you have said that the movie reinforces a stereotype that black men are violent and the white heroine has to seek help from other whites to escape him? Wouldn't a movie like that be even more racist? (Michael Lynderery, Toronto ON)