Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Michigan postcard from the Grand Poobah: Entrenched here in the Michigan woods, I forge ahead on my memoirs. Occasionally I lift my eyes to watch raindrops falling on leaves. Every evening I put on a DVD. Tonight's showing: Antonioni's "Eclipse."
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TELLURIDE, Colo.--Peter O'Toole regarded the Telluride Medal hanging around his neck and intoned: "When 50 years ago this year, I took my first uncertain steps on the stage as an actor, had anyone suggested to me that half a century later I would be up a Rocky in a grand old opry house, being festooned with medals, wandering and relaxing with old and new friends and colleagues, watching the better part of five decades of my life tumble on the screen in the company of the new generation O'Toole, my son Lorcan, I might have said that would be unlikely."
TORONTO, Canada -- "At the age of 16, I was in charge of myself," Theresa Russell was saying. "I grew up kind of fast. My mother was 18 when I was born. She split with my father when I was 6, and married another man when I was about 7. My mother was about 25, my stepfather was about 26, I'm six or seven, I was looking at them and I knew they were just too young.
NEW YORK - The situation was so incongruous I wouldn't have missed it for the world. Here I was at one of those New York "press openings" for a new movie. The format was pretty standard. A hotel ballroom was filled with a half-dozen round tables, and each table held a half dozen movie critics. The producer, director, writer and star of the new film moved from table to table, answering questions for 15 minutes before it was time to switch.