American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A piece on the Milestone Films releases of The Connection and In the Land of the Head Hunters.
"The truth is, Black History Month was started by Dr. Carter G. Woodson, a Black historian fed up with the lack of historical representation of people of color. In 1926, he pioneered Negro History Week, putting it on the same week as Lincoln and Frederick Douglass' birthdays. That's how February became associated with Black History Month, not some attempt to play us cheap. So, my apologies to Dr. Woodson. Mea culpa to the Man as well, though as my Mom used to tell me after erroneously beating my ass for something I didn't do, "you probably deserved this for something I didn't catch.' "
Odienator is back, and he's beautiful! The self-described "bald, Black, half-blind kid" has returned to Big Media Vandalism for his second annual "It's Black History Mumf, Odienator" Film Festival, aka "Odie 2: Electric Boogaloo." (And he's filing some of it from a business trip to Dublin, Internet willing!)
"Since Obama has made Black History every month until at least January 2013," he writes, "I am now claiming February as my own." Yes he does. So far you'll find inimitably Odienesque personal essays on "Devil In a Blue Dress," "Beat Street, "Baadasssss!," "Eve's Bayou," "Cotton Comes to Harlem,"Something the Lord Made," "Lady Sings the Blues," "I'm Gonna Git You Sucka," Scary Black Movies (including "Blacula," "Abby" and "Candyman") -- and appreciations of "Sanford and Son," actor Roscoe Lee Browne, and the late Bernie Mac, Isaac Hayes and Rudy Ray Moore, aka Dolemite. (Odiebama also makes a couple guest appearances.)