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The Magnificent Seven

Rarely have so many charismatic actors been used in a film that feels quite as soulless as Antoine Fuqua’s update of The Magnificent Seven.

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The Age of Shadows

At 140 minutes, Kim sometimes loses the rhythm of his spy thriller, but he's such a confident filmmaker—and his leading man such a magnetic presence—that…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Interview with Ann-Margret (1983)

The walls of Roger Smith's office are covered with pictures of Ann-Margret. Here she is as a sex kitten, on the cover of Life. There's a cover from Entertainment World, a forgotten show business magazine. All in a row are three recent covers of People. And here are an oil painting of Ann-Margret, and a lot of cartoonist's caricatures, and some framed ads and telegrams and the usual backstage memorabilia. In one corner, almost hidden behind a file cabinet, is Roger Smith's only souvenir of his own career: A framed ad for his stage appearance as a folk singer at the "hungry i" nightclub in San Francisco, in 1964.

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Interview with Ann-Margret

There are lots of things to ask Ann-Margret about "Tommy," I kept thinking. About being directed by Ken Russell, and about what she thought the meaning of the original rock opera was, and about what Roger Daltrey was like, and . . . somehow I kept drifting back to the baked beans.

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Ann-Margret: Still cracking that whip

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LAKE GENEVA, WI -- There is just no keeping up with all the new Ann-Margrets. Last year's new Ann-Margret abandoned her image, as the press releases say, to play a committed graduate student in "R.P.M." Her quandary: Should she still shack up with Anthony Quinn after he stops being a radical professor and becomes a moderate administrator? That's a dicey quandary, believe me, because Ann-Margret was playing a liberated woman even if she didn't have her own motorcycle and had to ride on the back of Anthony Quinn's.

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