In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


The Good Dinosaur

A film that has some promising elements and which often seems as if it is on the verge of evolving into something wonderful but never…


The Danish Girl

The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Interview with Ann-Margret (1983)

The walls of Roger Smith's office are covered with pictures of Ann-Margret. Here she is as a sex kitten, on the cover of Life. There's a cover from Entertainment World, a forgotten show business magazine. All in a row are three recent covers of People. And here are an oil painting of Ann-Margret, and a lot of cartoonist's caricatures, and some framed ads and telegrams and the usual backstage memorabilia. In one corner, almost hidden behind a file cabinet, is Roger Smith's only souvenir of his own career: A framed ad for his stage appearance as a folk singer at the "hungry i" nightclub in San Francisco, in 1964.

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Interview with Ann-Margret

There are lots of things to ask Ann-Margret about "Tommy," I kept thinking. About being directed by Ken Russell, and about what she thought the meaning of the original rock opera was, and about what Roger Daltrey was like, and . . . somehow I kept drifting back to the baked beans.

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Ann-Margret: Still cracking that whip


LAKE GENEVA, WI -- There is just no keeping up with all the new Ann-Margrets. Last year's new Ann-Margret abandoned her image, as the press releases say, to play a committed graduate student in "R.P.M." Her quandary: Should she still shack up with Anthony Quinn after he stops being a radical professor and becomes a moderate administrator? That's a dicey quandary, believe me, because Ann-Margret was playing a liberated woman even if she didn't have her own motorcycle and had to ride on the back of Anthony Quinn's.

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