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Citizenfour

Though superlatives can mischaracterize any movie’s qualities, it is not an overstatement, I think, to call “Citizenfour,” Laura Poitras’ film about Edward Snowden, the movie…

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Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Which is the monster? The creature, or the creator?

May Contain Spoilers

Raging Bull, Henry V and Heat are primary examples of films acclaimed on their releases and steadily more since then. But this is far from being the case with Mary Shelley's Frankenstein: slaughtered by the majority of critics in 1994, when it was released, the movie by British director Kenneth Branagh didn't please the audience either, becoming an embarrassing box office flop in the career of its director, which had so far been in ascension.

Even the surprising casting of Robert De Niro in the role of the "monster" wasn't enough to attract the attention of the audience, which therefore lost the opportunity to witness yet another immensely sensitive performance by the actor - and I use the word "monster" in quotes because DeNiro may have played many in his brilliant career (Louis Cyphre, Al Capone, Max Cady and even Jake La Motta come to mind), but the creature conceived by British writer Mary Shelley certainly isn't one of them. At least, not in Branagh's beautiful version.

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