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Jimi: All Is by My Side

What’s fascinating about “Jimi: All Is By My Side” is not only its decision to show us this particular chapter in Hendrix’s life, but also…

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The Boxtrolls

"The Boxtrolls" is a beautiful example of the potential in LAIKA's stop-motion approach, and the images onscreen are tactile and layered. But, as always, it's…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Which is the monster? The creature, or the creator?

May Contain Spoilers

Raging Bull, Henry V and Heat are primary examples of films acclaimed on their releases and steadily more since then. But this is far from being the case with Mary Shelley's Frankenstein: slaughtered by the majority of critics in 1994, when it was released, the movie by British director Kenneth Branagh didn't please the audience either, becoming an embarrassing box office flop in the career of its director, which had so far been in ascension.

Even the surprising casting of Robert De Niro in the role of the "monster" wasn't enough to attract the attention of the audience, which therefore lost the opportunity to witness yet another immensely sensitive performance by the actor - and I use the word "monster" in quotes because DeNiro may have played many in his brilliant career (Louis Cyphre, Al Capone, Max Cady and even Jake La Motta come to mind), but the creature conceived by British writer Mary Shelley certainly isn't one of them. At least, not in Branagh's beautiful version.

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