It’s just dull and hollow—a massive waste of time and money.
Nicolas Winding Refn's latest provocation is often productively brash, even if it is ultimately more preposterous than it is satisfying.
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
by Ben Kenigsberg
Ken Loach's "I, Daniel Blake" wins the Palme d'Or at the 69th Cannes Film Festival.
by Barbara Scharres
Barbara Scharres on the cats of Cannes 2016.
by Chaz Ebert
An article about Roger Ebert's reviews getting republished in the Chicago Sun-Times.
by Raven Evans
Chaz Ebert remembers the late Paul Cox and shares an article about Cox speaking with students at the 2009 Cannes Film Festival.
by Seongyong Cho
A report by FFC Seongyong Cho about Andrew Ahn's "Spa Night," which recently played the Jeonju International Film Festival.
by Gerardo Valero
FFC Gerardo Valero returns to "The Shawshank Redemption" to investigate how it remains the #1 film on IMDb.
by Matt Fagerholm
Christine Swanson on "The Miki Howard Story"; Who's afraid of female Ghostbusters; Trump is wrong on Muslims; Remembering Anton Yelchin; How "Silicon Valley" nails Silicon…
Festivals & Awards
by Susan Wloszczyna
A recap of Wednesday night's open of AFI Docs with Alex Gibney's "Zero Days" and highlights of what's to come.
by Nell Minow | July 28, 2014 |
A report on an SDCC panel called "Ships of the Line."
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