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A Letter to Momo

Even scenes that work, such as a climax on a rain-soaked bridge, feel like they could have been trimmed by a few hand-drawn frames. Maybe…

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Cannibal

Visually striking and confident but frustratingly hollow in terms of character and narrative.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

King, you're one of the best!

I met John McHugh in the autumn of 1966, when I was a cub reporter on the Sun-Times and he was a rewrite man, two years my senior, on the Chicago Daily News. We are still best friends. He worked the overnight shift, and among his duties was taking calls from readers.

After midnight, they wanted to settle bets. "And what do you say?" McHugh would ask. He would listen, and then reply,

"You're 100% correct. Put the other guy on." Pause. "And what do you say?" Pause. "You're 100% correct." If he was asked for his name, he said, "John T. Greatest, spelled with three Ts." He explained, "They can never figure out that that means."

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