The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A recap of Wednesday night's open of AFI Docs with Alex Gibney's "Zero Days" and highlights of what's to come.
Matt writes: Hello, Ebert Club subscribers! I'm Matt Fagerholm, Assistant Editor at RogerEbert.com, and I'll be taking over the Ebert Club newsletter. My inimitable predecessor, Sheila O'Malley, has gotten me up to speed on what you'll be expecting from this membership, and I'm very excited to provide you with a sneak peek at some of the most enticing titles in both current and classic cinema.
A report on TED 2016 and Hashtag: Thirty Percent.
An article highlighting three films at Sundance 2016.
A report on four documentaries from Sundance by Ebert Fellow Sara Alexandra Pelaez.
Remembering "The Last of the Mohicans"; Daniel Radcliffe's farting corpse; The most recalcitrant "ism" of all; László Nemes and Géza Röhrig on "Son of Saul"; Roger Deakins on "Hail, Caesar!"
A review of ABC's "The Muppets."
Posting 27,000 times to one online forum; Reflections of synthetic skin; Norman Lear on the neglected mission of PBS; The assistant economy; Kristen Stewart on the industry of celebrity.
An interview with Cary Elwes about "The Princess Bride."
Spike Lee writes an open letter to A.O. Scott, A The Shining producer calls Room 237 "idiotic"; Facebook's latest money-grabbing ploy; Introducing The Critical Press; Archie Bunker and Norman Lear.
Hollywood and indie film directors, actor John Cusack, actor Chris Tucker, comedian and philanthropist Dick Gregory, former Playboy chair Christie Hefner and the president of Sony Pictures Classics, and the lead critics from Variety, The Hollywood Reporter, and the Chicago Film Critics Association, will join other celebrities, friends and colleagues to pay tribute to iconic film critic Roger Ebert’s life and prolific career at “Roger Ebert: A Celebration of Life,” this Thursday, April 11, at 7 p.m. at the Chicago Theatre, 175 N. State St.
I have a friend who walked out of THERE WILL BE BLOOD during that baptism scene, when Daniel Day-Lewis exclaimed, "I've abandoned my child!" My friend was just divorced, lost custody of his children, and was tormented with the remorse that follows these things. As Daniel Day-Lewis shouted, my friend almost needed to cover his ears. He returned to his seat shortly afterwards, but needed that moment to collect himself.
I have another friend who was molested by a family friend. She refuses therapy, but she attributes multiple aspects of her personality, that she herself identifies as disorders - social ineptitude, sexual dysfunction and confusion, chronic despair - to that period of molestation. When she watched MYSTIC RIVER, a movie speaking of the physical and psychological abuse of children and the long term consequences on their hearts and minds, she found herself painfully revisiting those experiences, but not where we might expect.
Dick Van Dyke's new film is titled "Divorce American Style," and he can't get over it.