American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Above: Life in Hell © 1985, Matt Groening
If I had to make a Charles Foster Kane-like "Declaration of Principles" for Scanners (and if I haven't already done that sometime in the last seven years, then maybe I should), it would include such fundamental tenets (all-too-familiar to regular readers) as:
* Whether somebody "likes or dislikes" something is not something anyone else can do anything about, and therefore is not a fit subject for criticism.
* Neither is speculation about somebody's motives for "liking or disliking" something. All that matters is what they say, not what you guess their motivation is for saying it -- just as all that matters to criticism is what's in the movie, not what you imagine the filmmakers' intentions were. Is it there, or not? If it is, it can be talked about. If it isn't, when where's the evidence? Even speculation has to be based on something.
* A movie is always to some degree about what happens to you as you are watching it. (Which means, the questions and suppositions and emotions you have are part of the experience.)
Marie writes: It's official. I have died and gone to heaven. For here below, as part of an ongoing series exploring Britain's architectural wonders, the Observer's architecture critic Rowan Moore, introduces a spectacular interactive 360-degree panoramic photograph of "The grand staircase in the St Pancras Renaissance hotel" - which I regard as one of the most beautiful pieces of architecture I have ever seen. I adore this building and always will; it's the stuff of dreams. (Click photo to enlarge.)
Go here to explore a 360 panoramic view of the grand staircase!