Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
PARK CITY, Utah -- "I don't ski," Terry Zwigoff was moaning. "I don't have a cellular phone. I don't have a bottle of Evian water. I don't belong here."