The Transporter Refueled
The Transporter Refueled is an unnecessary bore from start to finish, one that even the most devoted Luc Besson fanatics will find difficult to defend.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An FFC on recent comments by Michael Eisner.
Jack Bauer returns in the limited FOX series "24: Live Another Day."
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Marie writes: Every once in while, I'll see something on the internet that makes me happy I wasn't there in person. Behold the foolish and the brave: standing on one of the islands that appear during the dry season, kayacker's Steve Fisher, Dale Jardine and Sam Drevo, were able to peer over the edge after paddling up to the lip of Victoria Falls; the largest waterfall in the world and which flows between Zambia and Zimbabwe, in Africa. It's 350 feet down and behind them, crocodiles and hippos can reportedly be found in the calmer waters near where they were stood - but then, no guts, no glory, eh? To read more and see additional photos, visit "Daredevil Kayakers paddle up to the precipice of the Victoria Falls" at the DailyMail.
August, 2012, marks the 20th anniversary of the debut of "The Larry Sanders Show," episodes of which are available on Netflix Instant, Amazon Instant, iTunes, and DVD. This is the third and final part of Edward Copeland's extensive tribute to the show, including interviews with many of those involved in creating one of the best-loved comedies in television history. Part 1 (Ten Best Episodes) is here and Part 2 (The show behind the show) is here.
A related article about Bob Odenkirk and his characters, Stevie Grant and Saul Goodman (on "Breaking Bad"), is here.
by Edward Copeland
"It was an amazing experience," said Jeffrey Tambor. "I come from the theater and it was very, very much approached like theater. It was rehearsed and Garry took a long, long time in casting and putting that particular unit together." In a phone interview, Tambor talked about how Garry Shandling and his behind-the-scenes team selected the performers to play the characters, regulars and guest stars, on "The Larry Sanders Show" when it debuted 20 years ago. Shandling chose well throughout the series' run and -- from the veteran to the novice, the theater-trained acting teacher and character actor to the comedy troupe star in his most subtle role -- they all tend to feel the way Tambor does: "It changed my career. It changed my life."
Screeeeech! The "jewel"-encrusted Sidekick doesn't help.
Edward Copeland asks: Do certain performers affect you like the sound of nails on a chalkboard? He lists Danny Huston, Kevin Costner, Kate Capshaw and Kim Cattrall among his most shudder-worthy. Some have charisma on the screen, and some don't. Or, at least, some of us are mystified by what others see in them (I could never understand the whole Ronald Reagan-as-president thing; he always seemed to me like a minor audioanimatronic attraction at Disneyland: Doddering Moments With Mr. Reagan, the Non-Communicator).
For me, it really is an involuntary, visceral response. I'm not sure I can adequately explain my instinctive revulsion for the following (in some cases the reaction has developed over time, like an allergy, as if I've built up antibodies against them), but here they are, in no particular order:
Tom Cruise. Incapable of convincingly expressing any emotion beyond grim determination. Unless it's intensely focused ambition.
Adam Sandler. Pauly Shore, but with a more limited range. Always looks as though he's going to start laughing at how funny he thinks he is. (Yes, I make an exception for "Punch Drunk Love," but I still would rather have been watching someone else. And that one had Mary Lynn Rajskub. She saves America every week on "24," and she saved Sandler's behind in this movie.)
Robin Williams. Not well-cast in human roles. (See all of the above.)
Cuba Gooding, Jr. His career after he won an Oscar for "Jerry Maguire" has made it almost impossible to sit through any of the good stuff he did before then. Tried to watch "Boyz N the Hood" recently? It's so preachy and sanctimonious it almost looks like a Matty Rich film now, but in fairness that's probably more John Singleton's fault than Gooding's alone.
That blonde heiress with the dead-trout eyes who's famous for her night-vision porno video and being in the tabloids a lot. Perfect example of "horrisma." She's like Ann Coulter in drag. Or not in drag. I'm not really sure which. But both have all the appeal of impetigo.
Chris Rock. The comedy version of Tom Cruise. Always trying way too hard to convince you... of something.
Sandra Bullock. Like watching a coconut on a stick.
Mel Gibson. "Braveheart" finally did it for me (and that was a whole five years before "What Women Want"). He enjoyed torturing himself way, way too much. Just as there is Young Elvis and Fat Elvis, there's Young Mel (pre-"Lethal Weapon 2") and Creepy Mel ("Air America" forward). Watching "The Road Warrior," it's hard to comprehend what later became of that cool guy who once played Mad Max.
Harrison Ford. Once he had a sense of humor about himself -- on screen, at least. It doesn't help that he hasn't made a decent movie ("Clear and Present Danger") in 13 years. He's great in "The Conversation," though.
Katie Holmes. Zombified. Why do I even know who she is?
Shaved vagina girl. Has she made any movies or is she just on the Internets?
Lindsay Lohan. From Mean Girl to Lucky Girl (cast with Meryl Streep and Lily Tomlin in an Altman movie). Now it's over. She's the Alicia Silverstone of tomorrow, but without the comic timing. Ten years ago, John Waters might have been able to salvage her career. Now it's too late. (OK, I'm sorry: That Alicia Silverstone crack was too mean -- to Alicia Silverstone.)
Jim Carrey. See Chris Rock, above.
Natalie Portman. It's as though she aspires to be forgettable, like generic "citrus"-flavored Pixy Stix. For some reason she reminds me of Veruca Salt on Xanax and I want her to swell up into a big blueberry. But I feel that way about nearly everyone who appeared in the "Star Wars" prequels.
More comments at Copeland's place.
The Attitude in action. (photo: Mario Anzuoni/Reuters)
At first I wasn't going to write anything about last weekend's "disappointing" domestic grosses for "M:I:III" (or, as Stephen Colbert pronounces it, "Miiii"), because, well, who really cares about the box-office numbers of movies like "Miiii" (or Celebs Who Act Out)? Especially when "24" gives you trickier plotting, more believable stunts, top-flight production values, first-class actors (Kiefer Sutherland, Mary Lynn Rajskub, Stephen Spinella, William Devane, Ray Wise, Jean Smart...) and characters for whom you can actually feel something besides an indefinable creepy revulsion (though some have that quality, too), week after week (and in digital surround and HDTV, no less) -- making pre-packaged, pre-fab disposable summer action products like "Miiii" seem as dinosaurish and unnecessary as they truly are. (Note to self: How do I really feel?)
But then I saw this headline above a Reuters story Thursday: "Hollywood friends rally around Tom Cruise." Yes, dear readers, Tom needs some friends just now (if only, evidently, to buy batches of opening-weekend tickets to "M:I:III" at the Scientology Celebrity-Center-adjacent ArcLight Theater in Hollywood). It was too absurd to pass up.
So (he said wearily), let's recap:
His Cruiseness's public "approval ratings" (says a USA Today opinion survey) are way down there with the likes of... George W. Bush: