"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Odie Henderson launches our coverage of Oscar Memories from some of our most notable contributors.
"Sleepless Night" (103 minutes) is available on demand through various cable systems, Vudu, iTunes and Amazon Instant, starting April 17th. It will be theatrically released in New York and Austin, Texas on May 11, 2012.
by Odie Henderson
A stolen bag of cocaine, a kidnapped kid, corrupt cops, a shaky camera and a dance club the size of a Super Walmart configure Frederic Jardin's "Sleepless Night," a frenetic French action film that will either get your heart or your head pounding. This is a relentless genre exercise, both exhilarating and exhausting. Its numerous showdown set pieces feature foes in gun battles, foot chases and fisticuffs. Our protagonist uses whatever's handy to subdue his opponents: People's noggins get hit with doors, bread, dishes, bullets and the cleanest part of the commode. Gendarmes go from corrupt to virtuous and vice versa, film speeds vary from slow motion to sped up, and narrow escapes coexist with near-misses. With this much activity, sensory overload is all but guaranteed.
Vincent (French comedian Tomer Sisley) is a corrupt cop who begins his day by robbing 10 kilos of cocaine from the henchmen of José Marciano (Serge Riaboukine). Marciano's godson is shot, but not before Vincent is stabbed and both he and his partner are seen by one of Marciano's men. Marciano knows who robbed him, and he also knows Vincent's son, Thomas, would make a great bargaining chip for the return of his yayo. The gangster kidnaps Vincent's son and demands the exchange be made at Marciano's restaurant-slash-dance club, Le Tarmac.