The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. I'm just curious, what led you to give "Black Swan" a rating of 3.5 stars, while "The Wrestler" got 4? The two films have been compared a lot, so I'm interested to hear why you thought one was slightly better than the other. (Sarah S. Evans, Indianapolis)
Yasujiro Ozu and Kogo Noda understood how to do it. They wrote many screenplays together, including those for some of the greatest films ever made, from "Late Spring" (1949) to "Tokyo Story" (1953) to "An Autumn Afternoon" (1962). Baths are important. And breakfast. And walks and naps. The important thing to remember is that, for the most part, writing isn't what happens when you're at your keyboard. That, to paraphrase embellish Truman Capote, is merely the typing part.
The clip above is from Kazuo Inoue's 1983 documentary about Ozu, "I Lived, But..." -- included in the Criterion DVD edition of "Tokyo Story."