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A Walk in the Woods

These guys still know how to not just hold our attention but grab it, even if their current film needs them more than they need…

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War Room

War Room preaches that we have no call to be righteous and judge others, yet the film itself is righteous and judgmental in the extreme.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Power to the people

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Q. I'm just curious, what led you to give "Black Swan" a rating of 3.5 stars, while "The Wrestler" got 4? The two films have been compared a lot, so I'm interested to hear why you thought one was slightly better than the other.  (Sarah S. Evans, Indianapolis)

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The Art of Screenwriting Collaboration

Yasujiro Ozu and Kogo Noda understood how to do it. They wrote many screenplays together, including those for some of the greatest films ever made, from "Late Spring" (1949) to "Tokyo Story" (1953) to "An Autumn Afternoon" (1962). Baths are important. And breakfast. And walks and naps. The important thing to remember is that, for the most part, writing isn't what happens when you're at your keyboard. That, to paraphrase embellish Truman Capote, is merely the typing part.

The clip above is from Kazuo Inoue's 1983 documentary about Ozu, "I Lived, But..." -- included in the Criterion DVD edition of "Tokyo Story."

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