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The Hunting Ground

The Hunting Ground could have been a series of disturbing statistics and personal stories, but the directors know that it is the survivors who are…

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Maps to the Stars

David Cronenberg's film of Bruce Wagner's Hollywood satire-nightmare turns ludicrous situations into operatic tragedy.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

The Cheeseburger Phone

View image John Amos in "Coming to America."

From Odienator's Black History Mumf love-fest for Eddie Murphy's "Coming to America" at Big Media Vandalism, "You Ain't Never Met Martin Luther The King."

His caption for this photo : "Yeah, Juno got that hamburger phone idea from me. Bitch ain't even give me credit, neither, Florida!" (Please note: The man's bun has no seeds.)

Writes Odie: "Coming to America" may be the Blackest comedy ever made, and it’s little touches like McDowell’s [the low-rent, individually owned McDonald's knock-off] that elevate it past the mild amusement it seems to garner from White viewers into the upper echelon of hilarity it occupies for us. It crushes us under the weight of familiarity, to the point where a musical cue or a mere image is enough to inspire raucous laughter. There are so many in-jokes that the film is like an old Negro Spiritual: everybody can hear the music, but only we can understand the code in the words.

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