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Alice Through the Looking Glass

There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive…

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Of Men and War

Bécue-Renard brings his own brutality to the topic of PTSD, by putting us at odds with feeling his subjects' pain, or only studying it.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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The Cheeseburger Phone

View image John Amos in "Coming to America."

From Odienator's Black History Mumf love-fest for Eddie Murphy's "Coming to America" at Big Media Vandalism, "You Ain't Never Met Martin Luther The King."

His caption for this photo : "Yeah, Juno got that hamburger phone idea from me. Bitch ain't even give me credit, neither, Florida!" (Please note: The man's bun has no seeds.)

Writes Odie: "Coming to America" may be the Blackest comedy ever made, and it’s little touches like McDowell’s [the low-rent, individually owned McDonald's knock-off] that elevate it past the mild amusement it seems to garner from White viewers into the upper echelon of hilarity it occupies for us. It crushes us under the weight of familiarity, to the point where a musical cue or a mere image is enough to inspire raucous laughter. There are so many in-jokes that the film is like an old Negro Spiritual: everybody can hear the music, but only we can understand the code in the words.

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