Sin City: A Dame to Kill For
"Sin City: A Dame to Kill For" doesn't have the electricity of the original, mainly because we've already seen it. Nothing more is really revealed…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: Intrepid club member Sandy Khan has sent us the following awesome find, courtesy of a pal in Belgium who'd first shared it with her. "Got Muck?" was filmed by diver Khaled Sultani (Emirates Diving Association's (EDA) in the Lembeh Strait, off the island coast of Sulawesi in Indonesia. Camera: Sony Cx550 using Light & Motion housing and sola lights. Song: "man with the movie camera" by cinematic orchestra.
Marie writes: Holy crap! THE KRAKEN IS REAL!" Humankind has been looking for the giant squid (Architeuthis) since we first started taking pictures underwater. But the elusive deep-sea predator could never be caught on film. Oceanographer and inventor Edith Widder shares the key insight - and the teamwork - that helped to capture the squid on camera for the first time, in the following clip taken from her recent TED talk." And to read more about the story, visit Researchers have captured the first-ever video footage of a live giant squid at i09.com
Marie writes: It's official. I have died and gone to heaven. For here below, as part of an ongoing series exploring Britain's architectural wonders, the Observer's architecture critic Rowan Moore, introduces a spectacular interactive 360-degree panoramic photograph of "The grand staircase in the St Pancras Renaissance hotel" - which I regard as one of the most beautiful pieces of architecture I have ever seen. I adore this building and always will; it's the stuff of dreams. (Click photo to enlarge.)
Go here to explore a 360 panoramic view of the grand staircase!
Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels. Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour! (click image to enlarge.)
View image Love bites.
My review of "Teeth" is in the Chicago Sun-Times and on RogerEbert.com. (Also: "21" and "CJ7.") Here's an excerpt:
"Teeth" sinks its incisors into a cross-cultural myth known as vagina dentata. Or, as Juno might call it, "Vaggie D." Depending on who you ask (not that you should bring it up in polite intercourse), it is said to represent the male fear of castration and of feminine sexuality in general. It also symbolizes the woman's anxieties about penetration, and/or her desire to devour her mate, who is attempting to fulfill his own bio-mythological destiny by returning upstream to spawn in the womb from whence he originated. (Or, as the movie puts it, "the dark crucible that hatched him.")
Whether you view it as a primordial image from the collective unconscious or a practical warning against promiscuity, vagina dentata makes an indubitably memorable impression -- and an ideal premise for a tongue-in-cheek thriller about uncontrollable urges.
Writer-director Mitchell Lichtenstein's teen horror-(of)-sex comedy begins with a big visual pun about a different portion of the feminine anatomy: An impressive pair of atomic power-plant silos protrude from the horizon like... you know. The camera tilts down to the lawn of a suburban home where nuclear family fusion is about to occur. Bill (Lenny von Dohlen) and his son Brad (John Hensley) are about to join Kim (Vivienne Benesch) and her daughter Dawn (Jess Wexler) to form a single-household zygote. Mutations ensue....