Goodbye to Language
Jean-Luc Godard's latest free-form essay film may be, more than anything else, a documentary of a restless mind.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. I think you may be onto something with your critique of "The Wild," when you say the animals fall into the Uncanny Valley of being too realistic. I think it may extend beyond the lip-syncing. The day I saw the poster, I told one of my friends that it left me vaguely unsettled, because the animals looked simultaneously real and not real, which is, in essence, the basic idea behind the Uncanny Valley.