American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: Next door, across a long narrow drive and beyond the row of cedar hedges which run parallel to it, there resides an elementary school dating back to 1965, along with an assortment of newer playground equipment rendered in bright, solid primary colors...I'm sure you know the sort I mean...
But don't forget: you and I reached this conclusion nearly 50 years ago, in the Union, over a cup of coffee, listening to the chimes of Altgeld Hall. So we beat on...
That cup of coffee in the Union cemented one of my oldest friendships. Bill Nack was sports editor of The Daily Illini the year I was editor. He was the editor the next year. He married the Urbana girl I dated in high school. I never made it to first base. By that time, I think he may have been able to slide into second and was taking a risky lead and keeping an eye on the pitcher. We had a lot of fun on the Daily Illini. This was in the days before ripping stuff off the web. He insisted on running stories about every major horse race. We had only one photo of a horse. We used it for every winner. If it was a filly, we flipped it. Of this as his editor I approved.
After college, I was out of the basement of Illini Hall with its ancient Goss rotary press, and running up the stairs. I immediately sat down right here and started writing this. Nack went to Vietnam as Westmoreland's flack and then got a job at Newsday. On Long Island, he and Mary raised their three girls and a boy. One year at the paper's holiday party he jumped up on a desk and recited the names and years of every single winner of the Kentucky Derby. Bill told me: