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Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

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Annie

The new version of "Annie" is fashionably artificial and not very well directed, but its unabashed good cheer is very welcome.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Errol Morris: Megatron, Son of Interrotron

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PARK CITY, Utah -- There is a tall curtain at one end of the room, and from time to time, Errol Morris peeks out from behind it like the Wizard of Oz. All of the seats are taken in the House of Docs for his demonstration of his latest interviewing device -- Megatron, Son of Interrotron -- at this year's Sundance Film Festival. Technicians scurry about, wearing ski parkas instead of white lab coats, but nevertheless looking like the minions of a James Bond villain, about to demonstrate a device that will (cackle) gain control of mankind.

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