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This Is Where I Leave You

The family gathering comedy is one of the more difficult genres to pull off. Good for Levy for trying something different. But next time he…

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The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Errol Morris: Megatron, Son of Interrotron

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PARK CITY, Utah -- There is a tall curtain at one end of the room, and from time to time, Errol Morris peeks out from behind it like the Wizard of Oz. All of the seats are taken in the House of Docs for his demonstration of his latest interviewing device -- Megatron, Son of Interrotron -- at this year's Sundance Film Festival. Technicians scurry about, wearing ski parkas instead of white lab coats, but nevertheless looking like the minions of a James Bond villain, about to demonstrate a device that will (cackle) gain control of mankind.

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