Heaven Is for Real
Faith-based film tries reaching past its audience, but falls back on preaching to its own choir way too much.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Take a breath and be brave. Very, very brave.... smile....Behold the "Willis Tower" in Chicago (formerly the Sears Tower) - the tallest building in North America and its famous attraction, The Skydeck. In January 2009, the Willis Tower owners began a major renovation of the Skydeck, to include the installation of glass balconies, extending approximately four feet over Wacker Drive from the 103rd floor. The all-glass boxes allow visitors to look directly through the floor to the street 1,353 feet (412 m) below. The boxes, which can bear five short tons of weight (about 4.5 metric tons), opened to the public on July 2, 2009.
If there's a (horror) movie that seems to exist outside of film history it's the strange case of "The Wizard of Oz," newly released in a 70th anniversary package on DVD and Blu-ray. It's credited to director Victor Fleming, whose directorial stamp (if not his signature) was also emblazoned on another 1939 release, "Gone With the Wind." "Oz" is one of the first "scary movies" many boomer and post-boomer kids ever saw (even before exposure to the truly terrifying Disney versions of "Bambi" or "Dumbo" -- or, for today's kiddies, "Saw" and "Hostel" and "Irreversible"), and remains a formative childhood experience for millions. (Forget the flying monkeys; I was terrified by the tornado, then shocked and traumatized by the sadistic use of sarcasm, which I'd never encountered in a movie before, when the Wicked Witch mocks Dorothy's desperate cries for her surrogate mother: "Auntie Em! Auntie Em!") In a Newsweek interview, Dave Eggers (co-writer of Spike Jonze's film of Maurice Sendak's "Where the Wild Things Are") says that "Oz" is his daughter's favorite movie and that her favorite part is the bleak, sepia-toned beginning set in Kansas. Sendak responds: