Brad Bird's "Tomorrowland" articulates its messages rather awkwardly, but the filmmaking is superb, and it doesn't feel like anything else.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
View image: Pieter Brueghel, "Landscape with the Fall of Icarus" c. 1558.
Today, I've been writing about "The Bridge" (opening in Chicago next week), a documentary about the stories of people who jumped to their deaths from the Golden Gate Bridge in 2004.
View image: From "The Bridge," directed by Eric Steel (2005)
I read that the director, Eric Steel (who had cameras on the bridge from dawn to dusk for the entire year) had invoked Breughel's "Landscape with the Fall of Icarus" -- and that resonated with me. Then I remembered the poem of the same name by one of my favorite poets, William Carlos Williams.
View image From "Vertigo," directed by Alfred Hitchcock (1958)
For me, as an American, a West Coaster and a cinephile, the Golden Gate Bridge has always loomed large in my consciousness. Today, as I attempt to digest this shattering film, I am moved and awed to offer these images, from Brueghel to the bridge -- visions not just of a magnificent structure or landmark, but of a place of mythic stature in the imagination.
"Landscape with the Fall of Icarus"by William Carlos Williams
According to Brueghel when Icarus fell it was spring
a farmer was ploughing his field the whole pageantry
of the year was awake tingling near
the edge of the sea concerned with itself
sweating in the sun that melted the wings' wax
unsignificantly off the coast there was
a splash quite unnoticed this was Icarus drowning
(Statistic: Most American suicides take place in the spring.)