The characters are not people, but rough drafts of simplistic character-traits, and the actors (game as they all are) cannot create something out of nothing.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. You're a lonely single film buff and it's Saturday night. Hitchcock or Kurosawa? (Matrcus Burciaga)
Barbie as Karen in "Superstar."
Maybe there should just be a category in the right column for "Lists." Here's one from the film and music writers of Time Out London (which will always be the only real Time Out) called "50 greatest music films ever except for 'Spinal Tap'." No, I added those last four words, but the editors explain in their intro that "we’re celebrating great films – dramas and documentaries – about real musicians."
As if David St. Hubbins and Nigel Tufnel and Derek Smalls never actually toured in the flesh? As if they aren't at least as "real" as, say, KISS or the Monkees or Hootie and the Blowfish, which contained no one named "Hootie" and nobody named "Blowfish." (BTW, the Ramones weren't really "Ramones"! Those were just stage names!) Oh, and Gus Van Sant's "Last Days" was about a guy named "Blake." Michael Pitt looked like Kurt Cobain, but it was only about Cobain in the sense that "Velvet Goldmine" is about Bowie or Iggy Pop or Lou Reed, or "Grace of My Heart" is about Carole King or Brian Wilson or any of the Brill Building writers (even though a lot of them wrote songs for the movie). Then there's "'Round Midnight" (which is on the list) with Dexter Gordon playing Dale Turner, a fictionalized version of Bud Powell...
View image Downey, CA: "What happened?" Third shot of "Superstar." Compare to second shot of "Zodiac" -- establishing a neighborhood, from a car on the street...
So, OK: No "Spinal Tap." But no "I Am Trying to Break Your Heart: A Film About Wilco"? No "You're Gonna Miss Me: A Film About Roky Erickson"? No "Thelonious Monk: Straight, No Chaser"? No "X: The Unheard Music"? No "The Girl Can't Help It"? No "Wattstax"? No "Woodstock"? No "The Kids are Alright"? No "No Direction Home"? No "The Buddy Holly Story"? No "Theramin: An Electronic Odyssey"? No "Heart of Gold"? No "The Filth and the Fury"? No "We Jam Econo: The Story of the Minutemen"? No "La Bamba"? No "Kurt and Courtney"? See how much fun this is? Really, though, I'd substitute any of these for several of the selections on the list.
But, OK, many of my favorites are included: "24 Hour Party People," "Jazz on a Summer's Day," "Stop Making Sense," "DIG!," "Art Pepper: Notes from a Jazz Survivor" (his autobiography, "Straight Life," is the best account of addiction I've ever read), "The Decline of Western Civilization Parts I and II (The Metal Years)"...
View image No one here gets out alive.
At the toppermost of the poppermost: Todd Haynes' 1987 "Superstar: The Karen Carpenter Story," a 45-minute lo-fi "dramatization" that was never officially released because of music clearance troubles (that is, brother Richard wouldn't let Haynes use any Carpenters tunes). Still, after 20 years as an "underground" item, it's available from Google Video here. It's something you really need to see: a documentary-style biopic of Karen Carpenter performed mostly by Barbie dolls. Yes, its a parody (so are most musical biopics, including others on the list -- see the upcoming Jake Kasdan/Judd Apatow picture, "Walk Hard: The Dewey Cox Story" for more on that score). But it presents straightforward facts about anorexia that could have been excerpted from any PBS or 16mm educational doc of the period. It's also a formula showbiz melodrama. But for all the layers of artifice, like Haynes' Sirk opera "Far from Heaven," it becomes strangely, hypnotically -- and genuinely -- moving. Prepare yourself for Haynes' Dylan fantasia, "I'm Not There," by watching "Superstar" and "Velvet Goldmine."
ASIDE: From an interview with Haynes at The Reeler: I actually think that it's easier for people who know less about Dylan to go with it, if they're up for something different. Clearly, that's the first thing: Whether you know Dylan or not, you have to surrender to the movie to have a good time at all and get anything out of it. If you have a lot of Dylanisms in your head, it's kind of distracting, because you're sitting there with a whole second movie going on. You're annotating it as you go. It's kind of nice to sit back and let it take you. I think people get it: Even if you don't know which are the true facts and which are the fictional things, and when we're playing with fact and fiction, from the tone of it, you know that it's playing around with real life. In a way, that's what biopics always do. They just don't tell you that they're doing it, and they don't make it part of the fun. You have to follow the Johnny Cash story and just sort of think, "This is what really happened." Of course, you know it's being dramatized, but you're not in on the joke. You're not in on the game of that. In this movie, at least, you get tipped off to it.Oh yeah, but about that list. Here it is. Make of it what you will:
1 "Superstar: the Karen Carpenter Story" (Todd Haynes, 1987) 2 "Don't Look Back" (DA Pennebaker, 1967) -- Bob Dylan 3 "Gimme Shelter" (David Maysles/Albert Maysles/Charlotte Zwerin, 1970) --Rolling Stones 4 "24 Hour Party People" (Michael Winterbottom, 2002) -- Manchester scene 5 "Topsy-Turvy" (Mike Leigh, 1999) -- Gilbert and Sullivan 6 "Monterey Pop" (DA Pennebaker, 1968) -- concert 7 "Be Here to Love Me" (Margaret Brown, 2004) -- Townes Van Zandt 8 "Thirty Two Short Films about Glenn Gould" (Francois Girard, 1993) -- Glenn Gould 9 "Cocksucker Blues" (Robert Frank, 1972) -- Rolling Stones 10 "Bird" (Clint Eastwood, 1988) -- Charlie Parker 11 "The Last Waltz" (Martin Scorsese, 1978) -- The Band & Friends farewell concert 12 "Rude Boy" (Jack Hazan, David Mingay, 1980) -- The Clash 13 "Scott Walker: 30 Century Man" (Stephen Kijak, 2006) -- Scott Walker 14 "Bound for Glory" (Hal Ashby, 1976) -- Woody Guthrie 15 "The Decline of Western Civilization Parts I & II" (Penelope Spheeris, 1981, 1988) -- LA punk; '80s metal & hair bands 16 "The Devil and Daniel Johnston" (Jeff Feuerzeig, 2005) -- Daniel Johnston 17 "Sweet Dreams" (Karel Reisz, 1982) -- Patsy Cline 18 "Art Pepper: Notes from a Jazz Survivor" (Don McGlynn, 1982) -- Art Pepper 19 "Elgar" (Ken Russell, 1962) -- Edward Elgar 20 "Rust Never Sleeps" (Neil Young, 1979) -- Neil Young 21 "The Future is Unwritten" (Julien Temple, 2006) -- Joe Strummer 22 "DiG!" (Ondi Timoner, 2004) -- Brian Jonestown Massacre, Dandy Warhols 23 "Some Kind Of Monster" (Joe Berlinger, Bruce Sinofsky, 2004) -- Metallica 24 "A Hard Day's Night" (Richard Lester, 1964) -- The Beatles 25 "Jimi Hendrix" (Joe Boyd, 1973) -- Jimi Hendrix(more)
From the opening shot of "Cutter's Way" -- my favorite movie of the 1980s.
... and speaking of critical "best of" movie lists, here's a swell one called "50 Lost Movie Classics," from The Guardian. I might quibble with the terms "lost" (how "lost" can they be, when so many of them are available on DVD?) or "classics" (a "masterpiece" can be lost or overlooked, but can a "classic"?). But it is what it is. A group of British critics and filmmakers chose 50 movies (I have no quibbles with either of those terms) that... well, allow Philip French to explain: This isn't just another list of great movies. It's a rallying cry for films that for a variety of reasons -- fashion, perhaps, or the absence of an influential advocate, or just pure bad luck -- have been unduly neglected and should be more widely available. You know that feeling when someone hasn't heard of a film you've always loved and you want to show it to them? Or, in a different way, when you get annoyed because a picture hasn't been accorded the position you think it deserves in cultural history or the cinematic canon? That's the sort of film we have included on this list.And now, please permit me to add my own huzzahs for a few of the selections, several of which have also been featured on my personal "ten-best" lists over the years -- or would have been, in the event that I had made one that year. (And some were released before I was born, OK?) Several of these have already been discussed here at Scanners. Here are just a few of the choices I'd particularly like to second:
"Petulia" (Richard Lester, 1968) -- use the link to read about the opening shot."The State of Things" (Wim Wenders, 1982) -- one of the best movies about movies ever. And "Stranger Than Paradise" was made using the leftover b&w stock."Newsfront" (Phillip Noyce, 1979) -- charming account of Aussie newsreelers."Fat City" (John Huston, 1972) -- best boxing movie ever (and, yes, I include "Raging Bull" and "Rocky")."Ace In the Hole" aka "The Big Carnival" (Billy Wilder, 1951) -- no excuse for this to still be unavailable on DVD."3 Women" (Robert Altman, 1977) -- just watched it again the night Altman's death was announced and was thrilled to find it as mesmerizing as ever..."Twin Peaks: Fire Walk With Me" (David Lynch, 1992) -- although I think the series is by far the best work Lynch has ever done, I didn't "get" this one when it came out. Now I think it's genius (and should be double-billed with "Mulholland Drive")."Safe" (Todd Haynes, 1995) -- my choice for best movie of 1995."Housekeeping" (Bill Forsyth, 1987) -- my choice for best movie of 1987."The Parallax View" (Alan J. Pakula, 1974) -- NOT "Alan J. Parker" as The Guardian has it, fer cripes sake!!! Gripping paranoid thriller -- with a fight atop my beloved Space Needle!"Dreamchild" (Gavin Millar, 1985) -- nice double-bill with "Pan's Labyrinth," I think."The Ninth Configuration" (William Peter Blatty, 1980) -- I see a big moon risin'..."Cutter's Way" (Ivan Passer, 1981) -- my choice for the best movie of the 1980s."Wise Blood" (John Huston, 1979) -- I don't think I've ever fully recovered from the scars this one left on me."Two-Lane Blacktop" (Monte Hellman, 1971) -- this does qualify as a cult classic."'Round Midnight" (Bertrand Tavernier, 1986) -- Dexter Gordon as a version of Dexter Gordon, in gorgeous widescreen. One of the best evocations of cinema as jazz, and vice-versa."Grace of My Heart" (Allison Anders, 1996) -- pop music history mix-and-match (not unlike "Velvet Goldmine" in that respect) with terrific songs co-authored by Brill Building vets and contemporary artists. I watch this one over and over. Made me fall in love with Illeana Douglas.
Some of the choices I haven't seen: "Ride Lonesome," "Jeremy," "Under the Skin," "I Wanna Hold Your Hand," "Let's Scare Jessica to Death," "The Low Down," "Quiemada!," "The Hired Hand," "Le Petomane," "Bill Douglas Trilogy," "Babylon," "Day Night Day Night" (just missed it in Toronto!), "The Day the Earth Caught Fire," "The Mad Monkey," "Terence Davies Trilogy" (not sure what individual titles they mean to include, but "The Long Day Closes" was my best movie of 1992 -- or was it 1993 in the US?). And there are others the list reminds me to revisit (like Monte Hellman's "Cockfighter") because it's simply been too long.
Take a peek and let us know which ones you treasure (or don't) -- and maybe suggest some additional titles for such a list...