Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
View image"The Shining": A bug under a microscope.
The most superficial and shopworn cliché about Stanley Kubrick is that he was a misanthrope. This is up there with calling Alfred Hitchcock "The Master of Suspense," and leaving it at that. The cliché may contain a partial truth, but it's not particularly enlightening. It's just trite.
In the free Seattle weekly tabloid The Stranger, Charles Mudede writes about a local Kubrick series, and begins by stating: "Kubrick hated humans. This hate for his own kind is the ground upon which his cinema stands." This is a nice grabber -- particularly for readers who don't know anything about Kubrick, or who want to feel the thrill of the forbidden when reading about him. ("Imagine! He hated humans!")
Unfortunately for readers, this is Mudede's thesis, and he's sticking to it. Here's his summary judgement of "2001: A Space Odyssey": As is made apparent by "2001: A Space Odyssey," his contempt was deep.
It went from the elegant surface of our space-faring civilization down, down, down to the bottom of our natures, the muck and mud of our animal instincts, our ape bodies, our hair, guts, hunger, and grunts. No matter how far we go into the future, into space, toward the stars, we will never break with our first and violent world. Even the robots we create, our marvelous machines, are limited (and undone) by our human emotions, pressures, primitive drives. For Kubrick, we have never been modern. OK, that's one interpretation (though it gets the direction of the movement entirely wrong), but I think it's a facile misreading of the film. Is there really something un-"modern" about portraying the raw, simple fact of evolution, with a little otherworldly nudge?
And why does Mudede have such contempt for apes and "animal instincts"? Is he going to apply "Meat is Murder" morality to primates? (Besides, they're so dirty!) Or does he not feel the awesome and primal beauty in the whole "Dawn of Man" sequence? If he doesn't, I suppose it's no wonder he sees no wonder in the rest of the movie.